words in movies
ROSS: Oh, great. Great. There was a projectile, uh, throwing up incident, but he started it.
MONICA: Yes! Carol and Susan's caterer had a mountain bike accident this weekend, and she's in a full body cast.
MONICA: They want me to do it, which is really cool, seeing as I've never catered before, and I really need the money, and this isn't a problem for you, is it?
ROSS: If you wanna call that a reason.
ROSS: Look, that has nothing to do with this, ok? She's my ex-wife. If she were marrying a guy, none of you'd expect me to be there.
JOEY: Hey, if she were marrying a guy, she'd be like the worst lesbian ever.
JOEY: It's like, you got so many lines to learn so fast, that sometimes you need a minute to remember your next one. So while you're thinkin' of it, you take this big pause where you look all intense, you know, like this.
JOEY: I'm afraid the situation is much worse than we expected. Your sister is suffering from a..subcranial hematoma. Perhaps we can discuss this over coffee.
CHANDLER: For a minute there I thought you were actually tryin' to smell something.
CHANDLER: That's great. All right, I gotta get to work, I got a big dinosaur bone to inspect.
CHANDLER: That's a little more relaxed than you want them to get.
PHOEBE: Yeah, it's just so strange. I mean, she probably woke up today and thought, "ok, I'll have some breakfast, and then I'll take a little walk, and then I'll have my massage." Little did she know God was thinking, "Ok, but that's it." Oh, but the weirdest thing was, ok, I was cleansing her aura when she died, and when the spirit left her body, I don't think it went very far.
[Everyone takes a step back from Phoebe]
MRS GREEN: Sweetie! So this is where you work? Oh, it's wonderful! Is it a living room? Is it a restaurant? Who can tell? But I guess that's the fun.
RACHEL: Yeah, well just be glad he's not playing a smaller instrument.
JOEY: They didn't fight a lot?
RACHEL: I just can't believe this is happening. I mean, when I was little, everybody's parents were getting divorced. I just figured as a grownup I wouldn't have to worry about this.
CHANDLER: You know, it's funny when my parents got divorced, they sent me to this shrink, and she told me that all kids have a tendency to blame themselves. But in your case it's actually kinda true.
MR A: Phoebe?
MR A: Oh, that's all right, although you did cut into my busy day of sitting.
MR A: Oh, no, please, I spent most of mid-morning trying to stand up. Now uh, what can I do for you, my dear?
MR A: You're saying, my wife is in you?
MR A: Well, I don't know what to tell you dear. The only thing I can think of is that she always used to say that before she died, she wanted to see everything.
MR A: Everything.
PHOEBE: Whoa, that's a lot of stuff.
MR A: Oh, wait, I remember, she also said she wanted to sleep with me one last time.
MR A: [to Joey] Worth a shot, huh?
RACHEL: No, that was his costume. See, he's actually an orthodontist, but he came as a regular dentist.
PHOEBE: [enters] Hey. What a day. I took her everywhere. The Museum of Modern Art, Rockefeller Center, Statue of Liberty.
PHOEBE: Yeah. I guess she hasn't seen everything yet. I'll be right back, she has to go to the bathroom again. [Takes Mrs. Green's chin in her hand and says, in Mrs. Adelman's voice] Oh, such a pretty face.
ROSS: No. Look, I told you I am not a part of this thing.
MONICA: All right, look, Ross. I realize that you have issues with Carol and Susan, and I feel for you, I do. But if you don't help me cook, I'm gonna take a bunch of those little hot dogs, and I'm gonna create a new appetizer called "pigs in Ross". All right, ball the melon.
MONICA: You're still gonna pay me, right? Or something a little less selfish.
[Wedding music starts, Phoebe noisily unwraps a piece of candy.]
[Monica pushes Ben down the aisle in a stroller. Susan is escorted by both her parents. Carol is escorted by Ross.]
JOEY: [to a wedding guest] How's that pig-in-the-blanket workin' out for you? [the guy nods] I wrapped those bad boys.
PHOEBE: I know it's kind of weird, but I mean, she was a big part of my life there, you know, and now I just feel kind of alone.
WOMAN: You know, I uh, I couldn't help but overhear what you just said, and I think it's time for you to forget about Rose, move on with your life...how 'bout we go get you a drink?
CHANDLER: [to an attractive woman] I shouldn't even bother coming up with a line, right? [The woman walks away]
MRS GREEN: Oh, am I! I just danced with a wonderfully large woman. And three other girls made eyes at me over the buffet. Oh, I'm not saying it's something I wanna pursue, but it's nice to know I have options.
SUSAN: You did a good thing today.
RACHEL: I had a wedding.
ROSS: No, sorry I don't. Tell me why would anyone pay someone to scar their body for life? What if it doesn't come out right Phoebe? Then it's like, I don't know, havin' a bad hair cut all the time. Why's everyone staring at me?
MONICA: Yeah. It's my dad's birthday, I decided to give him a stroke.
CHANDLER: You got a Cheeto on your face man.[Joey removes the Cheeto and eats it]
MRS. GELLER: No, Richard Burke gave them a ride.
[Scene: Chandler and Joey's apartment. They're still in their chairs watching TV. Chandler is ordering a pizza.]
CHANDLER: I know, this is a great apartment.
JOEY'S CO-STAR: Yeah, I'm movin' to a bigger place. You should definitely take this one.
JOEY: Yeah, can you see me in a place like this?
CHANDLER: [being left behind] Oh that's all right fellas, I saw a kitchen this morning - on TV. Stop talking. OK.
Joey: In a carriage!
ROSS: No, no, I mean, ya know, I, I read a book and there was a girl named Emily and I thought, I thought that might be good.
ROSS: Naa. A while ago I got a sah out of him, which I thought, ya know, might turn into sah-condary caregiver but... Hey, would you uh, would you hold him for a sec, 'cause I, I gotta take this off.
Ross: She was blonde? (he looks surprised for a while, but then gets a "gotcha" expression on his face... There's knocking at the door.) Just a sec.! Okay, okay. This one's name is Sandy. She's got a degree in early childhood education, uhm... she worked for her last family for three years.
[Scene: Airport. Madonna's Take A Bow plays in the background as Rachel waits at the gate with flowers.]
PHOEBE: Just, you know, long time ago. Well, when men used to tell women what to do - a lot. And then there was suffrage, which is a good thing but is sounds horrible. Do you want to get this tattoo?
MONICA: I'm a twinkie.
RICHARD: Really? I'm a hero.
MRS. GELLER: I just never would have pictured Richard with a bimbo.
MRS. GELLER: I have no idea. Did you know Richard has a twinkie in the city?
MRS. GELLER: So Jack, you ever think about trading me in for a younger model?
MONICA: I can't believe this, just like 2 weeks ago I was watching Sudden Death, now I'm on a date with Jean-Claude Van Damme. Can you beat up that guy? [he nods] Can you beat up that guy?
CHANDLER: Well it wouldn't kill you to say it once in a while.
Rachel: He left work in the middle of the day to do a personal errand and left you in charge when youve been working here two days? Thats not, thats not right.
Joey: It was amazing! And not just for her... uh-uh. For me, too. It's like, all of a sudden, I'm blind. But all my other senses are heightened, y'know? It's like... I was able to appreciate it on another level.
MRS. GELLER: Well, I was thinking, why doesn't he give Monica a call?
Joey: Whoa-whoa, that-that was just a theory! Theres a lot of theories that didnt pan out. The lone gunman. Communism. Geometry.
MRS. GELLER: A real doctor?
MONICA: No, a doctor of meat. Of course he's a real doctor. And he's handsome, and he's sweet, and know you'd like him. [she puts her arm around Richard]
MONICA: Well, uh, he's a doctor.
Ross: Well, with everything thats been going on lately, I havent exactly been the perfect boyfriend. You know, I, uh, I didnt tell her I got Rachel pregnant. I gave her a key to my apartment, and then had the locks changed! And then I lied to her about Rachel moving in with me. In a way, I actually judge her for not breaking up with me sooner, you know?
RICHARD: She's not a twinkie.
MONICA: Dad, dad this is a good thing for me. Ya know, and you even said yourself, you've never seen Richard happier.
MRS. GELLER: Oh please, a relationship.
MRS. GELLER: Jack. Could you come in here for a moment? NOW!
CHANDLER: So I got ya something. [tosses Joey a bag of plastic spoons]
Joey: (thinking) All right. Its a new day. All that stuff about Rachel, you dont feel that now. It was crazy! Youre fine. Youre better than fine! You are, as your friend Tony would say, Grrrreat! Everythings normal! Shes just your friend Rachel! Your friend Rachel. Your friend! Rachel.
RTST: Mockolate. It's a completely synthetic chocolate substitute.
JOEY: Well, it was a fight. . . based on serious stuff, remember. About how I never lived alone or anything. I just think it would be good for me, ya know, help me to grow or. . . whatever.
CHANDLER: Well I didn't think that was serious. [grabs the spoons back] Ya know I thought that was just a fight.
[Scene: Joey's apartment. Joey enters carrying a tub of ice cream. He sets it on the table, takes off his jacket and struggles with the drawer. It cannot be opened.]
RACHEL: Oh, what a load of crap. That is a dot. Your mother is up in heaven going, 'Where the hell is my lily, you wuss?' OK, Phoebe, that is not a tattoo, this is a tattoo. [she bends over and bears her tattoo right when Ross returns]
ROSS: You got a tattoo?
RACHEL: Maybe. But just a little one. Phoebe got the whole world.
Rachel: Oh well, hello. This is your lucky day Mr. Bowmont, the uh gentleman day sailer as just become available again and I believe that you made a bid of $18,000.
CHANDLER: Oh yeah, you got the big TV. We'll be over there all the time. . . [Chandler gives him a look] except when we are here.
CHANDLER: So, uhh, em, you want me to uh, give you a hand with the foosball table?
JOEY: Listen, uh, I don't know when I'm gonna see you again. CHANDLER: Well, I'm guessing uh, tonight at the coffee house. JOEY: Right, yeah. OK. Um, take care. CHANDLER: Yeah. [Joey walks out and after a few seconds comes back in and gives Chandler a big hug. He then leaves for good and Chandler is left alone in his apartment.] CLOSING CREDITS
RACHEL: [holding a pillow made out of 4 inch red fur] Hey, nice pillow. So now tell me, is this genuine Muppet skin?
Monica: It's supposed to be that small. It's a pre-appetizer. The French call it an amouz-bouche.
PHOEBE: [looking at a water sculpture that looks like a window with rain running down it] Hey, excellent, excellent water-table thing.
ROSS: Wha-, you have a phone in here?
JOEY: That's right, I have a phone in here.
[Scene: Central Perk. Monica, Chandler, and Ross are seated. Rachel is walking over with coffee and a piece of pie.]
ROSS: Ok, then you're gonna have to understand that you're with a guy who's not gonna stop planning his future with you because he knows that we're gonna end up together and if that scares you, tough, 'cause you're gonna have to deal with that.
PHOEBE: I told you not to do that yet. And, she wants to do a video.
MONICA: Wow, all you need now is The Killing Fields and some guacamole and you've got yourself a part-ay.
JOEY: I'm sorry. I'm 28 years old, I've never lived alone, and I'm finally at a place where I've got enough money that I don't need a roommate anymore.
Chandler: Arent you just a tinsy bit curious?
JOEY: Oh, that's OK. You uh, you had a thing.
JOEY: Ahh, forget about it, I'm havin' a ball. How's the apartment doin'
Ross: Yeah, how does Jason look in a v-neck?
JOEY: You really think he'd take me? I mean, we had a pretty good talk last night but, when I moved out, I hurt him bad.
Chandler: Youre not, what do you, what do you got a bionic foot?
MONICA: Did she leave a number?
ROSS: Well, she'll call back, don't be such a baby.
MONICA: I'm not a baby, you're the baby.
Pete: Her names Ann, shes a journalist. Ahh, we met on the plane. She asked me if she could finish off my peanuts, I thought she said something else, we had a big laugh. Yeah, I just, I mean I got, I got tired of waiting.
Ross: Wasn't this supposed to be just a fling, huh? Shouldn't it be...(makes flinging motions with hands) flung by now?
Joey: You don't kiss your friend's mom! Sisters are okay, maybe a hot-lookin' aunt... but not a mom, never a mom!
CHANDLER: Well you know, we got to talking and uh, he said he needed a place and I had a spare room.
JOEY: Oh, now it's a spare room?
MONICA: I can't believe he has a new roommate. Who is this guy?
PHOEBE: Now OK, I haven't seen it yet so, if you don't like it, well, so what, none of you ever made a video. [puts the tape in] OK.
RACHEL: It'll never last, he's just a rebound roommate.
Ross: Oh, (he goes towards Mike in order to shake hands but Mike hugs him) hey, oh... I... I was-I was going for a hand shake.
Rachel: Yeah, I admit it. I have a crush on you, and uh, and, and I know that's crazy because we work together, and-and nothing could ever happen, and the last thing I want to do is-is to freak you out or make you feel uncomfortable. Which is why it would be really great if you said something right about now.
PHOEBE: The voice woman. Ya know, I mean, she has a great voice but she doesn't have a video.
Helena: Before we go on with the show, I just want to say to the bride and groom how lucky they are to have found each other. In every life, a little rain must fall. Fortunately, in my life (Four guys wearing rubber boots, shorts, hats, and nothing else carrying umbrellas run onto the stage.) (Singing) Its raining men!
EDDIE: I tell ya, I-, I'm gonna go read in my room for a little while.
Mr. Posner: Yes, thats very good. Now a uh, big part of this job is cultivating personal relationships, especially with designers.
JOEY: [sings] It may not be a bed of roses.
Ross: You damn kids! You ring my bell one more time, I swear to (Opens the door to find Jill standing there.) Ohh, uh Jill. Umm, that-thats just a little game I play with the kids down the hall. Umm, theyve really taken a liking to me. (Quickly looks out to see if theyre watching.) Uhh whats-whats-whats the matter?
[Scene: Chandler and Eddie's apartment. Chandler is at the foosball table trying to get Phoebe to play a game with him.]
CHANDLER: Ah he's a, he's not a big fan of foosball.
PHOEBE: Oh yeah, it'll be fun. [throws a tennis ball at Eddie's bedroom door]
PHOEBE: Oh good, ok. Oh nooo, I have to go because I'm late for my um, Green Eggs and Ham discussion group. Um tonight it's why he would not eat them on a train. Have fun bye.
DR. BURKE: Yeah, since the divorce, when anybody asks me how I am, it's always with a sympathetic head tilt. [demonstrating] 'How ya doin'? You OK?'
[Scene: Monica and Chandler's, Monica is still very sick and is entering the living room from the bathroom wearing a robe. Chandler is reading a magazine.]
PHOEBE: Oh, this is so nice. Alright I have to make a speech. I just wanna say that of all the guys that Monica has been with, and that is a lot, I like you the best.
Monica: And youve never been funnier. Joke, joke, joke, you were a hoot!
PHOEBE: And a crusty old man said I'll do what I can and the rest of the rats played moroccas. That's it, thanks, good night.
MONICA: Not a lot, Phoebe's kidding, Phoebe's crazy.
EDDIE: [walks around corner] A little what?
[Scene: Chandler and Eddie's apartment. Chandler is there. There's a knock at the door. He answers it to see a young woman holding a fishtank.]
CHANDLER: Yes. Hey, can I ask you, is Eddie a little...
CHANDLER: So, we gettin' a fish?
Matt: It tastes like (mimicking him in a high-pitched voice) feet!
PHOEBE: Hey is this true, that you write a lot of your own lines?
JOEY: Uh, well, kinda yeah. Like, remember last week when Alex was in the accident? Well the line in the script was, 'If we don't get this woman to a hospital, she's going to die.' But I made it, ' If this woman doesn't get to a hospital, she's not gonna live.'
[Scene: At a writer's desk. The writer is working on a script for Days of Our Lives.]