words in movies
JOEY: Alright open your eyes. [opens his eyes to see two black leather recliners and a big screen TV]
MONICA: Rose Marie really belongs on a smaller screen, doesn't she?
PHOEBE: OK, I can be a waitress, I can be a waitress.
MONICA: Really Phoebs? Because, you know, you'd have to be an actual waitress. This can't be like your 'I can be a bear cub' thing.
PHOEBE: I can be a waitress. OK watch this. Um, gimme two number ones, 86 the bacon, one Adam and Eve on a raft and rick'em, la-la-la-la-la, la-la-la-la-la.
DR. BURKE: Yeah, since the divorce, when anybody asks me how I am, it's always with a sympathetic head tilt. [demonstrating] 'How ya doin'? You OK?'
DR. BURKE: No no, it, it's fine, believe me. I do it too. I always answer with the 'I'm OK' head bob. [demonstrates] 'I'm OK.' [tilts head] 'You sure?' [bobs head] 'Yeah, I'm fine.' Hey listen, I've got to set up the music. I got a new CD changer, of course the divorce only left me with 4 CD's to change.
[Scene: Chandler and Joey's apartment. They're still in their chairs watching TV. Chandler is ordering a pizza.]
DR. BURKE: Only because my parents wanted me to be, I wanted to be a sherrif.
MONICA: Dr. Burke? I don't think so. I mean, like, he's a grown up.
MONICA: Phoebe, he's a friend of my parents. He's like 20 years older than me.
MONICA: Well yeah, but, you know, uh, 27 is a dangerous eye age.
[Scene: Monica and Rachel's apartment. Ross and Rachel are returning from a movie.]
RACHEL: C'mon, I'm not saying it was a bad movie, I'm just saying, you know, it was a little. . . hard to follow.
RACHEL: Well it's not, honey I'm sorry, I guess I'm just nervous. I mean, it's you, ya know, it's us. I mean, we're crossing that line, sort of a big thing.
[Scene: Chandler and Joey's apartment. They are watching a Miracle Wax info-mercial.]
CHANDLER: You got a Cheeto on your face man.[Joey removes the Cheeto and eats it]
ROSS: Oh. Listen, have you ever been uh, you know, foolin' around with a girl and uh, she started laughin'?
JOEY: It certainly is a miracle.
RACHEL: Well, I was thinking maybe a um, a romantic dinner with um, candles and wine and then uh, maybe going back to my place for um, dessert.
[there's a loud bang at the door so Ross opens it back up to find a shoe has been thrown at it]
CHANDLER: Could you get us a couple of beers?
[He kisses her on the cheek, she returns the kiss, then they embrace in a full on kiss]
JOEY: [uses a dentist mirror to see] Naa, she's lyin'.
PHOEBE: You're not the only one who has a date tonight.
ROSS: What? You have a date? Who with?
ROSS: Who's Richard Burke? Doc, Doctor Burke? You have a date with Doctor Burke? Why, why, why should that bother me? I, I love that man, he's like a uh, brother to dad.
[Scene: Museum of Natural History. Ross is fixing a display, Rachel is waiting patiently.]
ROSS: Oh look, I can't believe this. Look, homo-habilus hasn't even learned how to use tools yet and they've got him here wi, with clay pots. Why don't, why don't they just give him a microwave? I'm sorry, I'm sorry this is taking so long, ya know, I, I, it's just it's longer than I expected, we will have dinner.
[Ross leaves to find Karl. Rachel takes a peek under the loincloth of one of the display models.]
DR. BURKE: No no. Henry's almost two and he's talking and everyting. Here. You know, the other day he told me he liked me better than his other grandpa. Now in all fairness his other grandpa's a drunk but still. . .
MONICA: Oh, you're a grandpa.
MONICA: I don't know, maybe. I mean I'm dating a man who's pool I once peed in.
DR. BURKE: I didn't need to know that. I guess 21 years is a lot. I mean, hell, I'm a whole person who can drink older than you.
DR. BURKE: Yeah, it sure does. [they hug and it turns into a passionate kiss]
ROSS: [grabs a fur pelt] C'mon.
ROSS: I've no idea, could be. Listen, I'm sorry I had to work tonight. RACHEL: Oh it's OK. You were worth the wait, and I don't just mean tonight. [they kiss] ROSS: You're not laughing. RACHEL: This time it's not so funny. [They kiss and start undressing. As Rachel tries to pull off Ross's tie she catches it in his mouth. Then they roll across the fur rug.] RACHEL: Ah, oh God. Oh, honey, oh that's OK. ROSS: What. Oh no, you just rolled over the juice box. RACHEL: Oh, thank God. [Scene: Museum of Natural History. The next morning Rachel and Ross are sleeping in the display under a fur.] ROSS: Hi. RACHEL: Hi you. I can't believe I'm waking up next to you. ROSS: I know it is pretty unbelievaaaaah. RACHEL: What? ROSS: We're not alone. [A church youth group is outside the display watching them] CLOSING CREDITS [Scene: Chandler and Joey's apartment. They are still in their chairs, watching Beavis and Butthead.] [they're laughing along with the show when an alarm goes off] JOEY: Is that the fire alarm? CHANDLER: Yeah. [feels the floor] Oh it's not warm yet, we still have time. JOEY: Cool.
CHANDLER: So, we gettin' a fish?
Matt: It tastes like (mimicking him in a high-pitched voice) feet!
PHOEBE: Hey is this true, that you write a lot of your own lines?
JOEY: Uh, well, kinda yeah. Like, remember last week when Alex was in the accident? Well the line in the script was, 'If we don't get this woman to a hospital, she's going to die.' But I made it, ' If this woman doesn't get to a hospital, she's not gonna live.'
[Scene: At a writer's desk. The writer is working on a script for Days of Our Lives.]
Coma Guy: Uh, a little woozy, but basically okay.
PHOEBE: Alright, so, what, he's not a famous tree surgeon? And then, I guess, OK, he doesn't live in a hut in Burma where there's no phones?
RACHEL: Hey, it's not that big a deal, I was just curious.
RICHARD: Woah, woah, no wait a minute now. C'mon it's your turn. Oh c'mon. Ya know, I don't need the actual number, just a ballpark.
ROSS: Uh, just a sec dad. [to himself] OK, be cool, just be cool. [walks down the stairs and grabs the flowers out of the vase on the endtable] OK dad.
CHANDLER: This is nuts. This is crazy. She came over for like two minutes, dropped off a fish tank, and left, end of story.
Ross: Yeah, um, I don't know if you noticed, but he had a lot to drink, and you know how he gets when he's drun..uh... (He has caught sight of Joey scowling at him) I can't do this, I did it, it was me, I'm sorry, I kissed your mom.
[Scene: The Emergency Room. The officious admissions nurse is again on duty. Rachel and Monica enter, looking worried. As they approach the desk, Rachel adopts a winning smile, while Monica struggles to smile at all.]
CHAN: All right, check out this bad boy. 12 megabytes of ram. 500 megabyte hard drive. Built-in spreadsheet capabilities and a modem that transmits at over 28,000 b.p.s.
MONICA: Well, it just seems like a really small number.
ROSS: [in a childish voice] I hope you cleaned your hair out of the drain.
RICHARD: I have a little comb.
RICHARD: Well, we had a table in college.
DR. REMORE: Amber, I want you to know that I'll always be there for you, as a friend and as your brother.
CHANDLER: Oh, you're right I, I should play in the hay. Forget about the fact that I just dropped 400 dollars to replace a bracelet that I hated to begin with. Bring on the hay. [sits down at the bar]
Joey: Well, were fashioning a very long poking device.
PHOEBE: But Joey, you're gonna be fine. You don't need that show, it was just a dumb soap opera.
RACHEL: Well, maybe they can find a way to bring you back.
Chandler: Y'know, if I won $5,000 I'd join a gym, y'know build up my upper body and hit Richard from behind with a stick! (Mimics it.)
[Scene: Chandler and Eddie's apartment.Chandler walks in to see Eddie holding a tray of cookies.]
EDDIE: I got a little surprise, look. There's a new fishie. I named him uh, Chandler, you know, after, after you.
EDDIE: No. See now I don't think you're being fair. I mean one night you see me and you get scared, I mean, what about all the other nights when you don't see me, huh? What about last night when you went and got a drink of water and I was nice enough to hide behind the door, what's that about, huh?
MONICA: A mirror?
MONICA: Wow, for a guy who's recently lost his job, you're in an awfully good mood.
JOEY: Anybody want a croan.
Phoebe: No, I mean, I mean, when you're at the fifteenth date, y'know, you're already in a very relationshippy place. Y'know, it's... you're committed.
Chandler: Yes, Joey's made arrangements to have his baby in a movie from the 50's.
JOEY: But this is a two line part, it's like takin' a step backwards. I'm not gonna do this.
ROSS: You, you know I, I don't, have a- have a problem with that.
ROSS: So suck it up man, it's a job, it's money.
JOEY: That's a two line part.
[Scene: Chandler's apartment. Chandler peeks in the door. He doesn't see Eddie so he enters, breathing a sigh of relief. Eddie pops up from behind the bar.]
CHANDLER: Look you have to help me out here. I thought we had a deal. I thought by the time...
MR A: Oh, no, please, I spent most of mid-morning trying to stand up. Now uh, what can I do for you, my dear?
EDDIE: That's a tomato. This one definitely goes in the display.
EDDIE: Ah, just some basic dehydrating of a few fruits and vegetables. MAN ALIVE this thing's fantastic!
Richard: on the rocks with a twist? I remember. (Goes to make her drink.)
JOEY: Hey Gunther, let me get a lemonade to go.
CHANDLER: [looks in the fish bowl to see a fish cracker] Well that's not an, even a real fish. No, that's a goldfish cracker.
Ross: (forages around) Okay, I have nothing in an evening shoe in the burgundy. I can show you something in a silver that may work.
PHOEBE: I don't think it would have sold a million copies but it would have made a nice gift for you.
[Monica goes into her room and slams the door. Rachel does the same. Phoebe, without a door to slam, opens a small chest and slams the lid.]
JOEY: No no, uh, don't thank me for comin' in. Uh, at least let me finish. Uh, we could take the expressway but uh, this time of day you're better off taking the budge. You were goin' for the word bridge there weren't ya. I'll have a good day. [gets up and leaves]
JOEY: [movers removing a glass parrot] Oh, not my parrot.
ROSS: Dollars? You spent $1200 dollars on a plastic bird?
MRS. GELLER: We just know she's got the IQ of a napkin.
CHANDLER: Yes, yes I actually saw him leave. I mean that guy is standing in the window holding a human head. He is STANDING IN THE WINDOW HOLDING A HUMAN HEAD!
EDDIE: Yeah, you know, put chips in it, we'll make like a chip chick.
EDDIE: We took a road trip to Las Vegas man.
Monica: Yeah, I think we're ready for our first course. (Steve sits, Monica brings over a tray) OK, um, these are rot-shrimp ravioli, and celantro pondou sauce... (Steve starts to eat them one by one, quickly)... with just a touch of mints... and... (he finishes)... ginger.
JOEY: Well, I had a whole ceramic zoo thing goin' over there but now, without the other ones, it just looks tacky.
CHANDLER: Ah that's a cantelope.
CHANDLER: I'm gonna hold him a different way. Look I don't understand, if you hated it so much, why did you buy it in the first place?
RICHARD: Uh, you guys see me as a dad?
JOEY: He paid a lot of money for it.
PHOEBE: Why are you guys so upset? It's Old Yeller, it's a happy movie.
PHOEBE: C'mon, happy family gets a dog, frontier fun.
JOEY: Not a dad.
CHANDLER: You're not a dad. You're not a dad.
RICHARD: That's fine. Well, your other dad and I are gonna go have a romantic evening and I guess I'll just see you kids around.
RICHARD: Yeah, just, I feel like I'm about a hundred. I thought I was just one of the guys.
MONICA: Come here. I'll make you feel like one of the guys. You know for a really cool guy, you suck at foosball.
SUSAN: Ok, this could go on for a while.
CAROL: We've got a cab waiting downstairs.
Rachel: Whoa!! Whoa, whoa, wait a minute. What time did your little friend leave? (Ross cant answer that) Oh my God. She was there? She was still there? She was in there, when I was in there?!
PHOEBE: [pauses the tape] Ok, Ben, this is the part where Ernie buries Bert in the sand and can't find him. Now, I've looked ahead on the tape and he does find him again. But, ok, before that happens, there's some pretty rough goin' for a while but I think we can handle it. And, there's just the alphabet but we know that ends well so. Ok, here we go. [starts the tape again]
ERNIE: Bert, Bert. Bert. Hey, what happened to my friend Bert? He was here just a moment ago. Oh no, my old friend Bert is lost.
MONICA: 'Cause I was going by it the other day and I saw that there was a stock with my initials, MEG, on it and, well, sometimes I have to watch for two or three hours before it comes up again but when it does, it's pretty exciting.
RACHEL: Ok honey, you really need a job.
PHOEBE: No, 'cause you just said dad and everywhere I go today I keep getting signs telling me to go see my father. Like when I was walking over here and I passed a buffet...which is my father's last name.
(Ursula points out a vacant table, so the twins walk over, side by side, to sit down. Departing customers walk right past the pair. Sitting at the back, a hungry gentleman looks most annoyed as Ursula sets his meal down in front of her. The girls sit.)
[Scene: Monica and Chandler's Apartment, everyone's there; Phoebe recites the last verse of a poem to Joey. This poem is known as "The Night Before Christmas" by Clement Clarke Moore, but it seems that it's rather "Account of a visit from St. Nicholas" by Henry Livingston.]
ROSS: Because it's a special hat. [Chandler looks at Ross funny] See he bought it 'cause he was feeling really down one day so he got the hat to cheer himself up, ya know. Now Chandler...
BIG BULLY: You got a problem with that?
MONICA: I don't want a beer.
JOEY: Monica, relax, go get a beer.
CHANDLER: Ohhh [turns as if to hug someone] Oh no, wait a minute, I have no one.
Monica: I mean, why should I let them meet him? I mean, I bring a guy home, and within five minutes they're all over him. I mean, they're like- coyotes, picking off the weak members of the herd.
RACHEL: I just can't believe this is happening. I mean, when I was little, everybody's parents were getting divorced. I just figured as a grownup I wouldn't have to worry about this.
JOEY: See, didn't I tell ya these pillows would be a good idea?
Another Scientist: And I need to flip the light switch on and off 17 times before I leave a room or my family will die.
JOEY: Get him a bone, get a bone. You gotta bone?
PHOEBE: Yeah, but he did have to have a bunch of stitches and he said that only once in a blue moon does a dog's ear grow back so...still hoping.
RACHEL: She'll be a much better friend when the market closes.
Photographer: Now why dont we get a shot of just Monica and the bloody soldier.
JOEY: [dials the phone] It's a woman.
[She starts the cab and pulls forward. We hear a squish and a dog yelp.]
Monica: Yknow what? I am really tired of your bellyaching! Okay, I-I worked really hard at making this a nice place for us to live!
CHANDLER: Alright, hang on a second there Custer.
MONICA: [Opens the door] I need to borrow a hundred bucks.
MONICA: Hi, welcome home. [pulls Rachel inside] I need to borrow a hundred bucks.
[Scene: Phoebe's dad's house. Phoebe is returning the dog who is bandaged up and has a plastic cone around it's neck.]
Chandler: Yeah, in fact my father was a den-mother.
PHOEBE: It was an accident, and, and the woman who did this would never ever hurt a dog on purpose. She's a vegetarian.
PHOEBE: Just from a, from a long time ago. Is he here?