words in movies
JOEY: Yeah, there's just one thing that might be kind've a problem. See, I, uh, had to kiss this guy.
JOEY: I did do it, I'm a professional.
JOEY: See after the scene, Mr. Beatty comes up to me and says 'good actor, bad kisser'. Can you believe that, me not a good kisser, that's like, like Mother Theresa, not a good mother.
PHOEBE: Well, come on, who cares what that guy thinks. What does Warren Beatty know about kissing (Chandler and Monica, give her a look that says 'think about it') Ooh.
JOEY: Yep, this kiss thing is defiantly a problem, Mr. Beatty wants to see it again on Monday. Man, I gotta figure out what I'm doing wrong. Oh, okay, one of you girls come over here and kiss me.
JOEY: You see this, this is a friend.
PHOEBE: Uh-huh, let's go. (they move in to kiss) Oh, wait I have gum. Okay. (they kiss rather passionately) Good, very good, firm but tender. I'd recommend you to a friend.
MONICA: Joey, you know, maybe your just not used to kissing men, maybe you just tensed up a little, maybe that's what you need to work on.
CHANDLER: And I'll be using his dead body as a shield.
(Rachel enters in this hideous pink bride's maid dress, with a huge silver bow on her chest, and a big, huge skirt, kinda like the one's women wore in the 1800s, Monica and Richard both stare in shock)
RACHEL: Look you guys, I have to go, I'm the Maid-of-Honor. And besides you know what I just need to be in a room again with these people and feel good about myself.
PHOEBE: Ooh-oh! Someone's wearing the same clothes they had on last night. Someone get a little action?
CHANDLER: I like this girl, okay, I seriously like this girl, you now how sometimes I tend get a little defended and quipy...
MONICA: (holding up a blanket) Where's Benny? (drops the blanket) There he is! (does it again) Where's Benny, there he is.
MONICA: Hey, you know I got a question for ya. Just a little thing, no pressure.
MONICA: Okay, so, uh, we're in France, we're making the toast. Do you see a little bassinet in the corner?
RICHARD: Like a hound?
MONICA: Not a basset, a bassinet.
JOEY: Aww, Rach, I think you look cute (kisses her on the cheek, then looks at Ross) And you, uh, you, you I could eat with a spoon (goes to kiss him).
CHANDLER: Oh, it's a website, it's the, uh, the Guggenheim (sp?, I'm not an art guy) museum. See, she likes art, and I like funny words.
PHOEBE: You know, what I think is so great that you are totally into this person and yet for all you know she could be like 90 years old, or have two heads, or. It could be a guy.
CHANDLER: Okay, it's not a guy, all right, I know her.
PHOEBE: It could be like a big giant guy.
PHOEBE: We were just wondering if Chandler's girlfriend is a girl.
PHOEBE: Well at least we know she's a woman.
JOEY: Aw, man I'm sorry (starts rubbing Chandler's shoulder). This must be very tough for ya, huh (and starts comfroting him looking for a kiss).
ROSS: Sweetie, it's be gonna okay, all right. It's a wedding, generally people focus on the bride.
MR. WINEBURG: I tell ya a lot things!
RACHEL: Yeah, I love that story. Um, I got a question for you guys. Why do people keep is saying that is good to see me up and about?
JOEY: Angela? Joey Tribiani. Listen, what are ya doing tonight. I know your seeing that guy I was thinking maybe you could bring him.....Hello? Hello? (picks up a statue of an Indian and walks into his room)
CHANDLER: Hey, look, Phoebe I wanted to meet her in person too, okay, but she's married, she has a husband.
PHOEBE: What if the husband person is the wrong guy, and you are the right guy. I mean you don't get chances like this all the time, if you don't meet her now, you're gonna be kicking yourself when your 80, which is hard to do, and that's how you break a hip.
PHOEBE: Oh, yeah! Okay! Great! Go, man, go put on your shoes, and, and march out there and meet her! (Chandler runs and picks up his shoes) Oh, wait, no, no you have to take a shower, 'cause, eww. (Chandler runs to the bathroom, as the computer bing-bongs) No, you know what you have to answer her, answer her first. (Chandler runs to the computer) No, no, you know what make some coffee 'cause its too much. (Chandler walks slowly into the kitchen)
[Scene: at Barry and Mindy's reception, Monica and Richard are sitting at a table, and Monica is trying to throw a piece of candy into his mouth.]
BEST MAN: (standing up) Yo! Can I have your attention, please, Best Man, making a toast here. Thank you. (clears throat, and starts reading his toast) I remember when Barry got home from his first date with Rachel...
BEST MAN: What, (to Barry) you hired the same band I can't use the same speech. (gets a 'da-doom-chesh' from the drummer) Thank you, thank you very much. Anyway, I wish you both a wonderful life together. And Rachel...
BEST MAN: No, no, no now in all seriousness, its not a lot of women would've had the guts to come back here tonight, and even fewer, who would do it with their asses hanging out! (da-doom-chesh)
ROSS: Ross, uh and uh, I'd just like to say that it did take a lot of courage for Rachel to come here tonight. And, uh, for the record she did not run out on Barry because she had syphilis. (da-doom-chesh) (to drummer) What are you doing I'm serious. Uh, the reason she walked out on, on Barry is simply that she didn't love him, which incidentally worked out pretty well for me (looks for the da-doom-chesh, and doesn't get one) Cheers.
RACHEL: (after a pause with everyone staring at her, she goes up to the microphone) Ya, know what Barr, I'm not gonna leave. I probably should, but I'm not, see 'cause I promised myself that I would make it through at least *one* of your weddings (da-doom-chesh). See now, tonight, all I really wanted was to make it though this evening with a little bit of grace and dignity. Well (laughing), I guess we can all agree that's not gonna happen. There's nothing really left to say except....(starts singing) "Her name was Lola. She was a showgirl. With yellow feathers (band joins in), feathers in her hair, and a dress cut down to there. She would..."
RACHEL: (singing) "...marenge, thank you honey, and do the cha-cha. And while she like to be a star, Tony always tended bar. At the, wait, wait, everybody.."
RICHARD: If I have to I'll, I'll do all again , I'll do the 4 o'clock feeding thing, I'll go to the P.T.A. meetings, I'll coach the soccer team.
MONICA: Oh my God, I can't believe what I'm getting ready to say. I wanna have a baby, but I don't wanna have one with someone who doesn't really wanna have one.
CHANDLER: Where is she, Where is she? (grabs Rachel) Oh, hey, I have a question, where is she?
CHANDLER: (noticing a beautiful blond walking in) Ooh, oh, oh, that's her.
PHOEBE: Chandler, you gotta stop staring at the door. It's like a watched pot, you know if you keep looking at it then the door is to, never gonna boil. I think what you have to do is try not to...
[Scene: Chandler and Joey's, Joey is reading a script as Ross enters]
ROSS: All right I've been feeling incredibly guilty about this, because I wanna be a good friend, and dammit I am a good friend. So just, just shut up and close your eyes (kisses Joey).
JOEY: Wow, you are a good friend, 'course the audition was this morning, and I didn't get it. But that was a hell of a kiss. Rachel is a very lucky girl.
ROSS: No, sorry I don't. Tell me why would anyone pay someone to scar their body for life? What if it doesn't come out right Phoebe? Then it's like, I don't know, havin' a bad hair cut all the time. Why's everyone staring at me?
MONICA: Yeah. It's my dad's birthday, I decided to give him a stroke.
CHANDLER: You got a Cheeto on your face man.[Joey removes the Cheeto and eats it]
MRS. GELLER: No, Richard Burke gave them a ride.
[Scene: Chandler and Joey's apartment. They're still in their chairs watching TV. Chandler is ordering a pizza.]
CHANDLER: I know, this is a great apartment.
JOEY'S CO-STAR: Yeah, I'm movin' to a bigger place. You should definitely take this one.
JOEY: Yeah, can you see me in a place like this?
CHANDLER: [being left behind] Oh that's all right fellas, I saw a kitchen this morning - on TV. Stop talking. OK.
Joey: In a carriage!
ROSS: No, no, I mean, ya know, I, I read a book and there was a girl named Emily and I thought, I thought that might be good.
ROSS: Naa. A while ago I got a sah out of him, which I thought, ya know, might turn into sah-condary caregiver but... Hey, would you uh, would you hold him for a sec, 'cause I, I gotta take this off.
Ross: She was blonde? (he looks surprised for a while, but then gets a "gotcha" expression on his face... There's knocking at the door.) Just a sec.! Okay, okay. This one's name is Sandy. She's got a degree in early childhood education, uhm... she worked for her last family for three years.
[Scene: Airport. Madonna's Take A Bow plays in the background as Rachel waits at the gate with flowers.]
PHOEBE: Just, you know, long time ago. Well, when men used to tell women what to do - a lot. And then there was suffrage, which is a good thing but is sounds horrible. Do you want to get this tattoo?
MONICA: I'm a twinkie.
RICHARD: Really? I'm a hero.
MRS. GELLER: I just never would have pictured Richard with a bimbo.
MRS. GELLER: I have no idea. Did you know Richard has a twinkie in the city?
MRS. GELLER: So Jack, you ever think about trading me in for a younger model?
MONICA: I can't believe this, just like 2 weeks ago I was watching Sudden Death, now I'm on a date with Jean-Claude Van Damme. Can you beat up that guy? [he nods] Can you beat up that guy?
CHANDLER: Well it wouldn't kill you to say it once in a while.
Rachel: He left work in the middle of the day to do a personal errand and left you in charge when youve been working here two days? Thats not, thats not right.
Joey: It was amazing! And not just for her... uh-uh. For me, too. It's like, all of a sudden, I'm blind. But all my other senses are heightened, y'know? It's like... I was able to appreciate it on another level.
MRS. GELLER: Well, I was thinking, why doesn't he give Monica a call?
Joey: Whoa-whoa, that-that was just a theory! Theres a lot of theories that didnt pan out. The lone gunman. Communism. Geometry.
MRS. GELLER: A real doctor?
MONICA: No, a doctor of meat. Of course he's a real doctor. And he's handsome, and he's sweet, and know you'd like him. [she puts her arm around Richard]
MONICA: Well, uh, he's a doctor.
Ross: Well, with everything thats been going on lately, I havent exactly been the perfect boyfriend. You know, I, uh, I didnt tell her I got Rachel pregnant. I gave her a key to my apartment, and then had the locks changed! And then I lied to her about Rachel moving in with me. In a way, I actually judge her for not breaking up with me sooner, you know?
RICHARD: She's not a twinkie.
MONICA: Dad, dad this is a good thing for me. Ya know, and you even said yourself, you've never seen Richard happier.
MRS. GELLER: Oh please, a relationship.
MRS. GELLER: Jack. Could you come in here for a moment? NOW!
CHANDLER: So I got ya something. [tosses Joey a bag of plastic spoons]
Joey: (thinking) All right. Its a new day. All that stuff about Rachel, you dont feel that now. It was crazy! Youre fine. Youre better than fine! You are, as your friend Tony would say, Grrrreat! Everythings normal! Shes just your friend Rachel! Your friend Rachel. Your friend! Rachel.
RTST: Mockolate. It's a completely synthetic chocolate substitute.
JOEY: Well, it was a fight. . . based on serious stuff, remember. About how I never lived alone or anything. I just think it would be good for me, ya know, help me to grow or. . . whatever.
CHANDLER: Well I didn't think that was serious. [grabs the spoons back] Ya know I thought that was just a fight.
[Scene: Joey's apartment. Joey enters carrying a tub of ice cream. He sets it on the table, takes off his jacket and struggles with the drawer. It cannot be opened.]
RACHEL: Oh, what a load of crap. That is a dot. Your mother is up in heaven going, 'Where the hell is my lily, you wuss?' OK, Phoebe, that is not a tattoo, this is a tattoo. [she bends over and bears her tattoo right when Ross returns]
ROSS: You got a tattoo?
RACHEL: Maybe. But just a little one. Phoebe got the whole world.
Rachel: Oh well, hello. This is your lucky day Mr. Bowmont, the uh gentleman day sailer as just become available again and I believe that you made a bid of $18,000.
CHANDLER: Oh yeah, you got the big TV. We'll be over there all the time. . . [Chandler gives him a look] except when we are here.
CHANDLER: So, uhh, em, you want me to uh, give you a hand with the foosball table?
JOEY: Listen, uh, I don't know when I'm gonna see you again. CHANDLER: Well, I'm guessing uh, tonight at the coffee house. JOEY: Right, yeah. OK. Um, take care. CHANDLER: Yeah. [Joey walks out and after a few seconds comes back in and gives Chandler a big hug. He then leaves for good and Chandler is left alone in his apartment.] CLOSING CREDITS
RACHEL: [holding a pillow made out of 4 inch red fur] Hey, nice pillow. So now tell me, is this genuine Muppet skin?
Monica: It's supposed to be that small. It's a pre-appetizer. The French call it an amouz-bouche.
PHOEBE: [looking at a water sculpture that looks like a window with rain running down it] Hey, excellent, excellent water-table thing.
ROSS: Wha-, you have a phone in here?
JOEY: That's right, I have a phone in here.
[Scene: Central Perk. Monica, Chandler, and Ross are seated. Rachel is walking over with coffee and a piece of pie.]
ROSS: Ok, then you're gonna have to understand that you're with a guy who's not gonna stop planning his future with you because he knows that we're gonna end up together and if that scares you, tough, 'cause you're gonna have to deal with that.
PHOEBE: I told you not to do that yet. And, she wants to do a video.
MONICA: Wow, all you need now is The Killing Fields and some guacamole and you've got yourself a part-ay.
JOEY: I'm sorry. I'm 28 years old, I've never lived alone, and I'm finally at a place where I've got enough money that I don't need a roommate anymore.
Chandler: Arent you just a tinsy bit curious?
JOEY: Oh, that's OK. You uh, you had a thing.
JOEY: Ahh, forget about it, I'm havin' a ball. How's the apartment doin'
Ross: Yeah, how does Jason look in a v-neck?
JOEY: You really think he'd take me? I mean, we had a pretty good talk last night but, when I moved out, I hurt him bad.
Chandler: Youre not, what do you, what do you got a bionic foot?
MONICA: Did she leave a number?
ROSS: Well, she'll call back, don't be such a baby.
MONICA: I'm not a baby, you're the baby.
Pete: Her names Ann, shes a journalist. Ahh, we met on the plane. She asked me if she could finish off my peanuts, I thought she said something else, we had a big laugh. Yeah, I just, I mean I got, I got tired of waiting.
Ross: Wasn't this supposed to be just a fling, huh? Shouldn't it be...(makes flinging motions with hands) flung by now?
Joey: You don't kiss your friend's mom! Sisters are okay, maybe a hot-lookin' aunt... but not a mom, never a mom!
CHANDLER: Well you know, we got to talking and uh, he said he needed a place and I had a spare room.
JOEY: Oh, now it's a spare room?
MONICA: I can't believe he has a new roommate. Who is this guy?
PHOEBE: Now OK, I haven't seen it yet so, if you don't like it, well, so what, none of you ever made a video. [puts the tape in] OK.
RACHEL: It'll never last, he's just a rebound roommate.
Ross: Oh, (he goes towards Mike in order to shake hands but Mike hugs him) hey, oh... I... I was-I was going for a hand shake.
Rachel: Yeah, I admit it. I have a crush on you, and uh, and, and I know that's crazy because we work together, and-and nothing could ever happen, and the last thing I want to do is-is to freak you out or make you feel uncomfortable. Which is why it would be really great if you said something right about now.
PHOEBE: The voice woman. Ya know, I mean, she has a great voice but she doesn't have a video.
Helena: Before we go on with the show, I just want to say to the bride and groom how lucky they are to have found each other. In every life, a little rain must fall. Fortunately, in my life (Four guys wearing rubber boots, shorts, hats, and nothing else carrying umbrellas run onto the stage.) (Singing) Its raining men!
EDDIE: I tell ya, I-, I'm gonna go read in my room for a little while.
Mr. Posner: Yes, thats very good. Now a uh, big part of this job is cultivating personal relationships, especially with designers.
JOEY: [sings] It may not be a bed of roses.
Ross: You damn kids! You ring my bell one more time, I swear to (Opens the door to find Jill standing there.) Ohh, uh Jill. Umm, that-thats just a little game I play with the kids down the hall. Umm, theyve really taken a liking to me. (Quickly looks out to see if theyre watching.) Uhh whats-whats-whats the matter?
[Scene: Chandler and Eddie's apartment. Chandler is at the foosball table trying to get Phoebe to play a game with him.]
CHANDLER: Ah he's a, he's not a big fan of foosball.
PHOEBE: Oh yeah, it'll be fun. [throws a tennis ball at Eddie's bedroom door]
PHOEBE: Oh good, ok. Oh nooo, I have to go because I'm late for my um, Green Eggs and Ham discussion group. Um tonight it's why he would not eat them on a train. Have fun bye.
DR. BURKE: Yeah, since the divorce, when anybody asks me how I am, it's always with a sympathetic head tilt. [demonstrating] 'How ya doin'? You OK?'
[Scene: Monica and Chandler's, Monica is still very sick and is entering the living room from the bathroom wearing a robe. Chandler is reading a magazine.]
PHOEBE: Oh, this is so nice. Alright I have to make a speech. I just wanna say that of all the guys that Monica has been with, and that is a lot, I like you the best.
Monica: And youve never been funnier. Joke, joke, joke, you were a hoot!
PHOEBE: And a crusty old man said I'll do what I can and the rest of the rats played moroccas. That's it, thanks, good night.
MONICA: Not a lot, Phoebe's kidding, Phoebe's crazy.
EDDIE: [walks around corner] A little what?
[Scene: Chandler and Eddie's apartment. Chandler is there. There's a knock at the door. He answers it to see a young woman holding a fishtank.]
CHANDLER: Yes. Hey, can I ask you, is Eddie a little...
CHANDLER: So, we gettin' a fish?
Matt: It tastes like (mimicking him in a high-pitched voice) feet!
PHOEBE: Hey is this true, that you write a lot of your own lines?
JOEY: Uh, well, kinda yeah. Like, remember last week when Alex was in the accident? Well the line in the script was, 'If we don't get this woman to a hospital, she's going to die.' But I made it, ' If this woman doesn't get to a hospital, she's not gonna live.'
[Scene: At a writer's desk. The writer is working on a script for Days of Our Lives.]