words in movies
JOEY: Yeah, there's just one thing that might be kind've a problem. See, I, uh, had to kiss this guy.
JOEY: I did do it, I'm a professional.
JOEY: See after the scene, Mr. Beatty comes up to me and says 'good actor, bad kisser'. Can you believe that, me not a good kisser, that's like, like Mother Theresa, not a good mother.
PHOEBE: Well, come on, who cares what that guy thinks. What does Warren Beatty know about kissing (Chandler and Monica, give her a look that says 'think about it') Ooh.
JOEY: Yep, this kiss thing is defiantly a problem, Mr. Beatty wants to see it again on Monday. Man, I gotta figure out what I'm doing wrong. Oh, okay, one of you girls come over here and kiss me.
JOEY: You see this, this is a friend.
PHOEBE: Uh-huh, let's go. (they move in to kiss) Oh, wait I have gum. Okay. (they kiss rather passionately) Good, very good, firm but tender. I'd recommend you to a friend.
MONICA: Joey, you know, maybe your just not used to kissing men, maybe you just tensed up a little, maybe that's what you need to work on.
CHANDLER: And I'll be using his dead body as a shield.
(Rachel enters in this hideous pink bride's maid dress, with a huge silver bow on her chest, and a big, huge skirt, kinda like the one's women wore in the 1800s, Monica and Richard both stare in shock)
RACHEL: Look you guys, I have to go, I'm the Maid-of-Honor. And besides you know what I just need to be in a room again with these people and feel good about myself.
PHOEBE: Ooh-oh! Someone's wearing the same clothes they had on last night. Someone get a little action?
CHANDLER: I like this girl, okay, I seriously like this girl, you now how sometimes I tend get a little defended and quipy...
MONICA: (holding up a blanket) Where's Benny? (drops the blanket) There he is! (does it again) Where's Benny, there he is.
MONICA: Hey, you know I got a question for ya. Just a little thing, no pressure.
MONICA: Okay, so, uh, we're in France, we're making the toast. Do you see a little bassinet in the corner?
RICHARD: Like a hound?
MONICA: Not a basset, a bassinet.
JOEY: Aww, Rach, I think you look cute (kisses her on the cheek, then looks at Ross) And you, uh, you, you I could eat with a spoon (goes to kiss him).
CHANDLER: Oh, it's a website, it's the, uh, the Guggenheim (sp?, I'm not an art guy) museum. See, she likes art, and I like funny words.
PHOEBE: You know, what I think is so great that you are totally into this person and yet for all you know she could be like 90 years old, or have two heads, or. It could be a guy.
CHANDLER: Okay, it's not a guy, all right, I know her.
PHOEBE: It could be like a big giant guy.
PHOEBE: We were just wondering if Chandler's girlfriend is a girl.
PHOEBE: Well at least we know she's a woman.
JOEY: Aw, man I'm sorry (starts rubbing Chandler's shoulder). This must be very tough for ya, huh (and starts comfroting him looking for a kiss).
ROSS: Sweetie, it's be gonna okay, all right. It's a wedding, generally people focus on the bride.
MR. WINEBURG: I tell ya a lot things!
RACHEL: Yeah, I love that story. Um, I got a question for you guys. Why do people keep is saying that is good to see me up and about?
JOEY: Angela? Joey Tribiani. Listen, what are ya doing tonight. I know your seeing that guy I was thinking maybe you could bring him.....Hello? Hello? (picks up a statue of an Indian and walks into his room)
CHANDLER: Hey, look, Phoebe I wanted to meet her in person too, okay, but she's married, she has a husband.
PHOEBE: What if the husband person is the wrong guy, and you are the right guy. I mean you don't get chances like this all the time, if you don't meet her now, you're gonna be kicking yourself when your 80, which is hard to do, and that's how you break a hip.
PHOEBE: Oh, yeah! Okay! Great! Go, man, go put on your shoes, and, and march out there and meet her! (Chandler runs and picks up his shoes) Oh, wait, no, no you have to take a shower, 'cause, eww. (Chandler runs to the bathroom, as the computer bing-bongs) No, you know what you have to answer her, answer her first. (Chandler runs to the computer) No, no, you know what make some coffee 'cause its too much. (Chandler walks slowly into the kitchen)
[Scene: at Barry and Mindy's reception, Monica and Richard are sitting at a table, and Monica is trying to throw a piece of candy into his mouth.]
BEST MAN: (standing up) Yo! Can I have your attention, please, Best Man, making a toast here. Thank you. (clears throat, and starts reading his toast) I remember when Barry got home from his first date with Rachel...
BEST MAN: What, (to Barry) you hired the same band I can't use the same speech. (gets a 'da-doom-chesh' from the drummer) Thank you, thank you very much. Anyway, I wish you both a wonderful life together. And Rachel...
BEST MAN: No, no, no now in all seriousness, its not a lot of women would've had the guts to come back here tonight, and even fewer, who would do it with their asses hanging out! (da-doom-chesh)
ROSS: Ross, uh and uh, I'd just like to say that it did take a lot of courage for Rachel to come here tonight. And, uh, for the record she did not run out on Barry because she had syphilis. (da-doom-chesh) (to drummer) What are you doing I'm serious. Uh, the reason she walked out on, on Barry is simply that she didn't love him, which incidentally worked out pretty well for me (looks for the da-doom-chesh, and doesn't get one) Cheers.
RACHEL: (after a pause with everyone staring at her, she goes up to the microphone) Ya, know what Barr, I'm not gonna leave. I probably should, but I'm not, see 'cause I promised myself that I would make it through at least *one* of your weddings (da-doom-chesh). See now, tonight, all I really wanted was to make it though this evening with a little bit of grace and dignity. Well (laughing), I guess we can all agree that's not gonna happen. There's nothing really left to say except....(starts singing) "Her name was Lola. She was a showgirl. With yellow feathers (band joins in), feathers in her hair, and a dress cut down to there. She would..."
RACHEL: (singing) "...marenge, thank you honey, and do the cha-cha. And while she like to be a star, Tony always tended bar. At the, wait, wait, everybody.."
RICHARD: If I have to I'll, I'll do all again , I'll do the 4 o'clock feeding thing, I'll go to the P.T.A. meetings, I'll coach the soccer team.
MONICA: Oh my God, I can't believe what I'm getting ready to say. I wanna have a baby, but I don't wanna have one with someone who doesn't really wanna have one.
CHANDLER: Where is she, Where is she? (grabs Rachel) Oh, hey, I have a question, where is she?
CHANDLER: (noticing a beautiful blond walking in) Ooh, oh, oh, that's her.
PHOEBE: Chandler, you gotta stop staring at the door. It's like a watched pot, you know if you keep looking at it then the door is to, never gonna boil. I think what you have to do is try not to...
[Scene: Chandler and Joey's, Joey is reading a script as Ross enters]
ROSS: All right I've been feeling incredibly guilty about this, because I wanna be a good friend, and dammit I am a good friend. So just, just shut up and close your eyes (kisses Joey).
JOEY: Wow, you are a good friend, 'course the audition was this morning, and I didn't get it. But that was a hell of a kiss. Rachel is a very lucky girl.
MONICA: Wow, all you need now is The Killing Fields and some guacamole and you've got yourself a part-ay.
JOEY: I'm sorry. I'm 28 years old, I've never lived alone, and I'm finally at a place where I've got enough money that I don't need a roommate anymore.
Chandler: Arent you just a tinsy bit curious?
JOEY: Oh, that's OK. You uh, you had a thing.
JOEY: Ahh, forget about it, I'm havin' a ball. How's the apartment doin'
Ross: Yeah, how does Jason look in a v-neck?
JOEY: You really think he'd take me? I mean, we had a pretty good talk last night but, when I moved out, I hurt him bad.
Chandler: Youre not, what do you, what do you got a bionic foot?
MONICA: Did she leave a number?
ROSS: Well, she'll call back, don't be such a baby.
MONICA: I'm not a baby, you're the baby.
Pete: Her names Ann, shes a journalist. Ahh, we met on the plane. She asked me if she could finish off my peanuts, I thought she said something else, we had a big laugh. Yeah, I just, I mean I got, I got tired of waiting.
Ross: Wasn't this supposed to be just a fling, huh? Shouldn't it be...(makes flinging motions with hands) flung by now?
Joey: You don't kiss your friend's mom! Sisters are okay, maybe a hot-lookin' aunt... but not a mom, never a mom!
CHANDLER: Well you know, we got to talking and uh, he said he needed a place and I had a spare room.
JOEY: Oh, now it's a spare room?
MONICA: I can't believe he has a new roommate. Who is this guy?
PHOEBE: Now OK, I haven't seen it yet so, if you don't like it, well, so what, none of you ever made a video. [puts the tape in] OK.
RACHEL: It'll never last, he's just a rebound roommate.
Ross: Oh, (he goes towards Mike in order to shake hands but Mike hugs him) hey, oh... I... I was-I was going for a hand shake.
Rachel: Yeah, I admit it. I have a crush on you, and uh, and, and I know that's crazy because we work together, and-and nothing could ever happen, and the last thing I want to do is-is to freak you out or make you feel uncomfortable. Which is why it would be really great if you said something right about now.
PHOEBE: The voice woman. Ya know, I mean, she has a great voice but she doesn't have a video.
Helena: Before we go on with the show, I just want to say to the bride and groom how lucky they are to have found each other. In every life, a little rain must fall. Fortunately, in my life (Four guys wearing rubber boots, shorts, hats, and nothing else carrying umbrellas run onto the stage.) (Singing) Its raining men!
EDDIE: I tell ya, I-, I'm gonna go read in my room for a little while.
Mr. Posner: Yes, thats very good. Now a uh, big part of this job is cultivating personal relationships, especially with designers.
JOEY: [sings] It may not be a bed of roses.
Ross: You damn kids! You ring my bell one more time, I swear to (Opens the door to find Jill standing there.) Ohh, uh Jill. Umm, that-thats just a little game I play with the kids down the hall. Umm, theyve really taken a liking to me. (Quickly looks out to see if theyre watching.) Uhh whats-whats-whats the matter?
[Scene: Chandler and Eddie's apartment. Chandler is at the foosball table trying to get Phoebe to play a game with him.]
CHANDLER: Ah he's a, he's not a big fan of foosball.
PHOEBE: Oh yeah, it'll be fun. [throws a tennis ball at Eddie's bedroom door]
PHOEBE: Oh good, ok. Oh nooo, I have to go because I'm late for my um, Green Eggs and Ham discussion group. Um tonight it's why he would not eat them on a train. Have fun bye.
DR. BURKE: Yeah, since the divorce, when anybody asks me how I am, it's always with a sympathetic head tilt. [demonstrating] 'How ya doin'? You OK?'
[Scene: Monica and Chandler's, Monica is still very sick and is entering the living room from the bathroom wearing a robe. Chandler is reading a magazine.]
PHOEBE: Oh, this is so nice. Alright I have to make a speech. I just wanna say that of all the guys that Monica has been with, and that is a lot, I like you the best.
Monica: And youve never been funnier. Joke, joke, joke, you were a hoot!
PHOEBE: And a crusty old man said I'll do what I can and the rest of the rats played moroccas. That's it, thanks, good night.
MONICA: Not a lot, Phoebe's kidding, Phoebe's crazy.
EDDIE: [walks around corner] A little what?
[Scene: Chandler and Eddie's apartment. Chandler is there. There's a knock at the door. He answers it to see a young woman holding a fishtank.]
CHANDLER: Yes. Hey, can I ask you, is Eddie a little...
CHANDLER: So, we gettin' a fish?
Matt: It tastes like (mimicking him in a high-pitched voice) feet!
PHOEBE: Hey is this true, that you write a lot of your own lines?
JOEY: Uh, well, kinda yeah. Like, remember last week when Alex was in the accident? Well the line in the script was, 'If we don't get this woman to a hospital, she's going to die.' But I made it, ' If this woman doesn't get to a hospital, she's not gonna live.'
[Scene: At a writer's desk. The writer is working on a script for Days of Our Lives.]
Coma Guy: Uh, a little woozy, but basically okay.
PHOEBE: Alright, so, what, he's not a famous tree surgeon? And then, I guess, OK, he doesn't live in a hut in Burma where there's no phones?
RACHEL: Hey, it's not that big a deal, I was just curious.
RICHARD: Woah, woah, no wait a minute now. C'mon it's your turn. Oh c'mon. Ya know, I don't need the actual number, just a ballpark.
ROSS: Uh, just a sec dad. [to himself] OK, be cool, just be cool. [walks down the stairs and grabs the flowers out of the vase on the endtable] OK dad.
CHANDLER: This is nuts. This is crazy. She came over for like two minutes, dropped off a fish tank, and left, end of story.
Ross: Yeah, um, I don't know if you noticed, but he had a lot to drink, and you know how he gets when he's drun..uh... (He has caught sight of Joey scowling at him) I can't do this, I did it, it was me, I'm sorry, I kissed your mom.
[Scene: The Emergency Room. The officious admissions nurse is again on duty. Rachel and Monica enter, looking worried. As they approach the desk, Rachel adopts a winning smile, while Monica struggles to smile at all.]
CHAN: All right, check out this bad boy. 12 megabytes of ram. 500 megabyte hard drive. Built-in spreadsheet capabilities and a modem that transmits at over 28,000 b.p.s.
MONICA: Well, it just seems like a really small number.
ROSS: [in a childish voice] I hope you cleaned your hair out of the drain.
RICHARD: I have a little comb.
RICHARD: Well, we had a table in college.
DR. REMORE: Amber, I want you to know that I'll always be there for you, as a friend and as your brother.
CHANDLER: Oh, you're right I, I should play in the hay. Forget about the fact that I just dropped 400 dollars to replace a bracelet that I hated to begin with. Bring on the hay. [sits down at the bar]
Joey: Well, were fashioning a very long poking device.
PHOEBE: But Joey, you're gonna be fine. You don't need that show, it was just a dumb soap opera.
RACHEL: Well, maybe they can find a way to bring you back.
Chandler: Y'know, if I won $5,000 I'd join a gym, y'know build up my upper body and hit Richard from behind with a stick! (Mimics it.)
[Scene: Chandler and Eddie's apartment.Chandler walks in to see Eddie holding a tray of cookies.]
EDDIE: I got a little surprise, look. There's a new fishie. I named him uh, Chandler, you know, after, after you.
EDDIE: No. See now I don't think you're being fair. I mean one night you see me and you get scared, I mean, what about all the other nights when you don't see me, huh? What about last night when you went and got a drink of water and I was nice enough to hide behind the door, what's that about, huh?
MONICA: A mirror?
MONICA: Wow, for a guy who's recently lost his job, you're in an awfully good mood.
JOEY: Anybody want a croan.
Phoebe: No, I mean, I mean, when you're at the fifteenth date, y'know, you're already in a very relationshippy place. Y'know, it's... you're committed.
Chandler: Yes, Joey's made arrangements to have his baby in a movie from the 50's.
JOEY: But this is a two line part, it's like takin' a step backwards. I'm not gonna do this.
ROSS: You, you know I, I don't, have a- have a problem with that.
ROSS: So suck it up man, it's a job, it's money.
JOEY: That's a two line part.
[Scene: Chandler's apartment. Chandler peeks in the door. He doesn't see Eddie so he enters, breathing a sigh of relief. Eddie pops up from behind the bar.]
CHANDLER: Look you have to help me out here. I thought we had a deal. I thought by the time...
MR A: Oh, no, please, I spent most of mid-morning trying to stand up. Now uh, what can I do for you, my dear?
EDDIE: That's a tomato. This one definitely goes in the display.
EDDIE: Ah, just some basic dehydrating of a few fruits and vegetables. MAN ALIVE this thing's fantastic!
Richard: on the rocks with a twist? I remember. (Goes to make her drink.)
JOEY: Hey Gunther, let me get a lemonade to go.
CHANDLER: [looks in the fish bowl to see a fish cracker] Well that's not an, even a real fish. No, that's a goldfish cracker.
Ross: (forages around) Okay, I have nothing in an evening shoe in the burgundy. I can show you something in a silver that may work.
PHOEBE: I don't think it would have sold a million copies but it would have made a nice gift for you.
[Monica goes into her room and slams the door. Rachel does the same. Phoebe, without a door to slam, opens a small chest and slams the lid.]
JOEY: No no, uh, don't thank me for comin' in. Uh, at least let me finish. Uh, we could take the expressway but uh, this time of day you're better off taking the budge. You were goin' for the word bridge there weren't ya. I'll have a good day. [gets up and leaves]
JOEY: [movers removing a glass parrot] Oh, not my parrot.
ROSS: Dollars? You spent $1200 dollars on a plastic bird?
MRS. GELLER: We just know she's got the IQ of a napkin.
CHANDLER: Yes, yes I actually saw him leave. I mean that guy is standing in the window holding a human head. He is STANDING IN THE WINDOW HOLDING A HUMAN HEAD!
EDDIE: Yeah, you know, put chips in it, we'll make like a chip chick.
EDDIE: We took a road trip to Las Vegas man.
Monica: Yeah, I think we're ready for our first course. (Steve sits, Monica brings over a tray) OK, um, these are rot-shrimp ravioli, and celantro pondou sauce... (Steve starts to eat them one by one, quickly)... with just a touch of mints... and... (he finishes)... ginger.
JOEY: Well, I had a whole ceramic zoo thing goin' over there but now, without the other ones, it just looks tacky.
CHANDLER: Ah that's a cantelope.
CHANDLER: I'm gonna hold him a different way. Look I don't understand, if you hated it so much, why did you buy it in the first place?
RICHARD: Uh, you guys see me as a dad?
JOEY: He paid a lot of money for it.