words in movies
This is a special out takes episode. The cast and Conan are sitting around the set of Central Perk, talking about the stuff weve never seen.
Conan: Its a tradition here on Friends after every taping for me to hang out with you guys, (They all laugh) talk down the episode umm The point of this whole thing is what people see in America is: they see Friends, they love the show, it looks like a smooth running machine, but behind the scenes theres deceit, mistrust, and hate. And I thought, I thought wed actually take a look at uh, yknow some of these moments where you guys arethere are mistakes. You make mistakes.
Jennifer: Once and a while.
Conan: You still get nervous everybody just before a show?
Conan: But there must be, there mustare a lot of moments over the years where youre just trying to do your job, something goes wrong.
Joey: Hey and, this is a little extra something for yknow, always being there for me.
(Suddenly theres a noise off stage and the camera on Joey swings around.)
[Cut to Monica and Chandler's, first season, Monica is making a giant sub-sandwich and is talking to Rachel. I think its The One With Fake Monica.]
Jennifer: (to Lisa) Operation. You had a fun one.
Conan: It was a little game. Yeah, with an electric buzzer.
Phoebe: Oh-ooh, and I brought Operation, but umm I lost the umm (It starts buzzing) Its making a noise.
[Cut to Central Perk, to the theme from The Dick Van Dyke show Joey runs into Central Perk carrying a stack of Soap Opera Digests and falls on the step. He does bounce right back up making it all that much funnier.]
(As shes saying that Joey is to pull out a chair and sit down, only Matthew comes running in from off camera and dives for the same chair.)
Conan: Matthew, you have a reputation with the rest of the cast that sometimes you like to, you like to fool around a bit. I mean like if somethings naturally going wrong you like to get in there and juice it a little bit. True or false?
[Cut to Monicas restaurant kitchen, its the episode where Joey is working as a waiter at Monicas restaurant. Joey is patting her breast from when she set it on fire.]
Joey: Youre still a tiny bit on fire there.
Conan: Now you guys work with animals a lot. You had to work early on with a monkey
[Cut to Monica and Chandler's, The One Where The Monkey Gets Away, Rachel is watching a soap opera with Marcel.]
Rachel: Okay. Okay, see now the one with the feather boa? Thats Dr. Francis. She used to be a man. Oh look! There(Marcel (Katie) jumps away)Okay. (And runs behind her on the back of the couch for a little while.)
David: For me, I have a hard time with le Blanc in particular. When-whenI mean when
David: I keep a straight face he-he delivers like this look, a reaction to you, or a certain take, I-II mean I find it so funny.
(Joey hugs Rosss neck and has a look of complete contentment on his face which, after a short while, causes David and Matt to start laughing.)
[Cut to Monica and Chandler's, Monica is throwing a party. Joey is talking to Ross about the bad audition he just had while pouring booze onto a snow cone.]
Matt: Thats a good one? (They both laugh.)
Matt: Okay, Ill just put a little more booze on there. (Pours some more on.)
Joey: Okay, the next situation is for Rachel. The wedding is about to start you walk into the back room and you find Monica taking a nap with Ross. (Ross lies on the floor.) Ill be Monica. Go! (He jumps down and cuddles up with Ross.)
[Cut to Monica and Chandler's, Courtney and Matthew are getting ready to do a scene where Monicas sick.]
Conan: You uh, youve worked withThey always say a performer should never work with pets or children.
David: The good thing about the young kids though, theyre completely unpredictable. Which is a lot of fun as an actor to respond with. But there was one story
Matt: (everyone laughs) And then it was like four takes later before we could get through it with a straight face.
Conan: But audiencesYou have a live studio audience and they must love that. They must love it when they see you guys playing.
[Cut to Joey and Rachel's, Ross is living with Chandler and Joey. Joey and Ross have built a fort out of boxes, Chandler enters and they stand up slowly.]
Conan: (to Courtney) You-youve worn a fat suit on the show. And, a lot of people love you in the fat suit. Do you like wearing the fat suit? Is it fun?
Conan: I-I heard some of you guys talking about this earlier, but sometimes theres just a word that someone has to say that youll get hung up on. And itll justthe way you say the word is funny to everybody else.
(David puts his napkin up to his mouth and starts laughing at his own line. Matt notices him after a while and starts laughing as well.)
Matt: It tastes like (mimicking him in a high-pitched voice) feet!
Matt: You-you mentally make a flag on it and you say, "Okay show night, Im justIll never be able to get through this."
Phoebe: (spitting the cookie out onto a napkin) Oh, sweet Je(Beep)sus! Oh! Monica, these are the (laughing) cookies they serve in hell!
Conan: When you have to do physical business for a scene, I mean there must be; there must be a lot of funny moments when you have to physically do a task as part of a scene.
David: Yeah, Rachel, Chandler, and Ross had to try to get a couch up a staira very narrow New York stairwell and that was probably I-I think it was the hardest Ive-Ive laughed in my life period.
David: Pivat!! (In a high pitched voice) Pivat!!!
Joey: Youre still a tiny bit on fire there!
[We close with a bunch of scenes where they screw up and make weird noises. It finishes with.]
CHANDLER: So, we gettin' a fish?
PHOEBE: Hey is this true, that you write a lot of your own lines?
JOEY: Uh, well, kinda yeah. Like, remember last week when Alex was in the accident? Well the line in the script was, 'If we don't get this woman to a hospital, she's going to die.' But I made it, ' If this woman doesn't get to a hospital, she's not gonna live.'
[Scene: At a writer's desk. The writer is working on a script for Days of Our Lives.]
Coma Guy: Uh, a little woozy, but basically okay.
PHOEBE: Alright, so, what, he's not a famous tree surgeon? And then, I guess, OK, he doesn't live in a hut in Burma where there's no phones?
RACHEL: Hey, it's not that big a deal, I was just curious.
RICHARD: Woah, woah, no wait a minute now. C'mon it's your turn. Oh c'mon. Ya know, I don't need the actual number, just a ballpark.
ROSS: Uh, just a sec dad. [to himself] OK, be cool, just be cool. [walks down the stairs and grabs the flowers out of the vase on the endtable] OK dad.
CHANDLER: This is nuts. This is crazy. She came over for like two minutes, dropped off a fish tank, and left, end of story.
Ross: Yeah, um, I don't know if you noticed, but he had a lot to drink, and you know how he gets when he's drun..uh... (He has caught sight of Joey scowling at him) I can't do this, I did it, it was me, I'm sorry, I kissed your mom.
[Scene: The Emergency Room. The officious admissions nurse is again on duty. Rachel and Monica enter, looking worried. As they approach the desk, Rachel adopts a winning smile, while Monica struggles to smile at all.]
CHAN: All right, check out this bad boy. 12 megabytes of ram. 500 megabyte hard drive. Built-in spreadsheet capabilities and a modem that transmits at over 28,000 b.p.s.
MONICA: Well, it just seems like a really small number.
ROSS: [in a childish voice] I hope you cleaned your hair out of the drain.
RICHARD: I have a little comb.
RICHARD: Well, we had a table in college.
DR. REMORE: Amber, I want you to know that I'll always be there for you, as a friend and as your brother.
CHANDLER: Oh, you're right I, I should play in the hay. Forget about the fact that I just dropped 400 dollars to replace a bracelet that I hated to begin with. Bring on the hay. [sits down at the bar]
Joey: Well, were fashioning a very long poking device.
PHOEBE: But Joey, you're gonna be fine. You don't need that show, it was just a dumb soap opera.
RACHEL: Well, maybe they can find a way to bring you back.
Chandler: Y'know, if I won $5,000 I'd join a gym, y'know build up my upper body and hit Richard from behind with a stick! (Mimics it.)
[Scene: Chandler and Eddie's apartment.Chandler walks in to see Eddie holding a tray of cookies.]
EDDIE: I got a little surprise, look. There's a new fishie. I named him uh, Chandler, you know, after, after you.
EDDIE: No. See now I don't think you're being fair. I mean one night you see me and you get scared, I mean, what about all the other nights when you don't see me, huh? What about last night when you went and got a drink of water and I was nice enough to hide behind the door, what's that about, huh?
MONICA: A mirror?
MONICA: Wow, for a guy who's recently lost his job, you're in an awfully good mood.
JOEY: Anybody want a croan.
Phoebe: No, I mean, I mean, when you're at the fifteenth date, y'know, you're already in a very relationshippy place. Y'know, it's... you're committed.
Chandler: Yes, Joey's made arrangements to have his baby in a movie from the 50's.
JOEY: But this is a two line part, it's like takin' a step backwards. I'm not gonna do this.
ROSS: You, you know I, I don't, have a- have a problem with that.
ROSS: So suck it up man, it's a job, it's money.
JOEY: That's a two line part.
[Scene: Chandler's apartment. Chandler peeks in the door. He doesn't see Eddie so he enters, breathing a sigh of relief. Eddie pops up from behind the bar.]
CHANDLER: Look you have to help me out here. I thought we had a deal. I thought by the time...
MR A: Oh, no, please, I spent most of mid-morning trying to stand up. Now uh, what can I do for you, my dear?
EDDIE: That's a tomato. This one definitely goes in the display.
EDDIE: Ah, just some basic dehydrating of a few fruits and vegetables. MAN ALIVE this thing's fantastic!
Richard: on the rocks with a twist? I remember. (Goes to make her drink.)
JOEY: Hey Gunther, let me get a lemonade to go.
CHANDLER: [looks in the fish bowl to see a fish cracker] Well that's not an, even a real fish. No, that's a goldfish cracker.
Ross: (forages around) Okay, I have nothing in an evening shoe in the burgundy. I can show you something in a silver that may work.
PHOEBE: I don't think it would have sold a million copies but it would have made a nice gift for you.
[Monica goes into her room and slams the door. Rachel does the same. Phoebe, without a door to slam, opens a small chest and slams the lid.]
JOEY: No no, uh, don't thank me for comin' in. Uh, at least let me finish. Uh, we could take the expressway but uh, this time of day you're better off taking the budge. You were goin' for the word bridge there weren't ya. I'll have a good day. [gets up and leaves]
JOEY: [movers removing a glass parrot] Oh, not my parrot.
ROSS: Dollars? You spent $1200 dollars on a plastic bird?
MRS. GELLER: We just know she's got the IQ of a napkin.
CHANDLER: Yes, yes I actually saw him leave. I mean that guy is standing in the window holding a human head. He is STANDING IN THE WINDOW HOLDING A HUMAN HEAD!
EDDIE: Yeah, you know, put chips in it, we'll make like a chip chick.
EDDIE: We took a road trip to Las Vegas man.
Monica: Yeah, I think we're ready for our first course. (Steve sits, Monica brings over a tray) OK, um, these are rot-shrimp ravioli, and celantro pondou sauce... (Steve starts to eat them one by one, quickly)... with just a touch of mints... and... (he finishes)... ginger.
JOEY: Well, I had a whole ceramic zoo thing goin' over there but now, without the other ones, it just looks tacky.
CHANDLER: Ah that's a cantelope.
CHANDLER: I'm gonna hold him a different way. Look I don't understand, if you hated it so much, why did you buy it in the first place?
RICHARD: Uh, you guys see me as a dad?
JOEY: He paid a lot of money for it.
PHOEBE: Why are you guys so upset? It's Old Yeller, it's a happy movie.
PHOEBE: C'mon, happy family gets a dog, frontier fun.
JOEY: Not a dad.
CHANDLER: You're not a dad. You're not a dad.
RICHARD: That's fine. Well, your other dad and I are gonna go have a romantic evening and I guess I'll just see you kids around.
RICHARD: Yeah, just, I feel like I'm about a hundred. I thought I was just one of the guys.
MONICA: Come here. I'll make you feel like one of the guys. You know for a really cool guy, you suck at foosball.
SUSAN: Ok, this could go on for a while.
CAROL: We've got a cab waiting downstairs.
Rachel: Whoa!! Whoa, whoa, wait a minute. What time did your little friend leave? (Ross cant answer that) Oh my God. She was there? She was still there? She was in there, when I was in there?!
PHOEBE: [pauses the tape] Ok, Ben, this is the part where Ernie buries Bert in the sand and can't find him. Now, I've looked ahead on the tape and he does find him again. But, ok, before that happens, there's some pretty rough goin' for a while but I think we can handle it. And, there's just the alphabet but we know that ends well so. Ok, here we go. [starts the tape again]
ERNIE: Bert, Bert. Bert. Hey, what happened to my friend Bert? He was here just a moment ago. Oh no, my old friend Bert is lost.
MONICA: 'Cause I was going by it the other day and I saw that there was a stock with my initials, MEG, on it and, well, sometimes I have to watch for two or three hours before it comes up again but when it does, it's pretty exciting.
RACHEL: Ok honey, you really need a job.
PHOEBE: No, 'cause you just said dad and everywhere I go today I keep getting signs telling me to go see my father. Like when I was walking over here and I passed a buffet...which is my father's last name.
(Ursula points out a vacant table, so the twins walk over, side by side, to sit down. Departing customers walk right past the pair. Sitting at the back, a hungry gentleman looks most annoyed as Ursula sets his meal down in front of her. The girls sit.)
[Scene: Monica and Chandler's Apartment, everyone's there; Phoebe recites the last verse of a poem to Joey. This poem is known as "The Night Before Christmas" by Clement Clarke Moore, but it seems that it's rather "Account of a visit from St. Nicholas" by Henry Livingston.]
ROSS: Because it's a special hat. [Chandler looks at Ross funny] See he bought it 'cause he was feeling really down one day so he got the hat to cheer himself up, ya know. Now Chandler...
BIG BULLY: You got a problem with that?
MONICA: I don't want a beer.
JOEY: Monica, relax, go get a beer.
CHANDLER: Ohhh [turns as if to hug someone] Oh no, wait a minute, I have no one.
Monica: I mean, why should I let them meet him? I mean, I bring a guy home, and within five minutes they're all over him. I mean, they're like- coyotes, picking off the weak members of the herd.
RACHEL: I just can't believe this is happening. I mean, when I was little, everybody's parents were getting divorced. I just figured as a grownup I wouldn't have to worry about this.
JOEY: See, didn't I tell ya these pillows would be a good idea?
Another Scientist: And I need to flip the light switch on and off 17 times before I leave a room or my family will die.
JOEY: Get him a bone, get a bone. You gotta bone?
PHOEBE: Yeah, but he did have to have a bunch of stitches and he said that only once in a blue moon does a dog's ear grow back so...still hoping.
RACHEL: She'll be a much better friend when the market closes.
Photographer: Now why dont we get a shot of just Monica and the bloody soldier.
JOEY: [dials the phone] It's a woman.
[She starts the cab and pulls forward. We hear a squish and a dog yelp.]
Monica: Yknow what? I am really tired of your bellyaching! Okay, I-I worked really hard at making this a nice place for us to live!
CHANDLER: Alright, hang on a second there Custer.
MONICA: [Opens the door] I need to borrow a hundred bucks.
MONICA: Hi, welcome home. [pulls Rachel inside] I need to borrow a hundred bucks.
[Scene: Phoebe's dad's house. Phoebe is returning the dog who is bandaged up and has a plastic cone around it's neck.]
Chandler: Yeah, in fact my father was a den-mother.
PHOEBE: It was an accident, and, and the woman who did this would never ever hurt a dog on purpose. She's a vegetarian.
PHOEBE: Just from a, from a long time ago. Is he here?
FRANK: Yeah. What? [a young guy comes around the corner]