words in movies
[Scene: Monica and Rachel's apartment. Everyone is sitting at the couches, Chandler enters.]
RACH: So, how was the party?
PHOE: No, you are not, you are very attractive. You know what, I go through the exact same thing. Every time I put on a little weight, I start questioning everyting.
CHAN: Oh, you know, I would, but that might get in the way of my lying around time.
[Scene: Hallway between the apartments. Chandler comes out wearing spandex, jogging in place. Monica is there.]
[Cut to the city street. Monica and Chandler are jogging. Chandler is lagging behind so he hops in a cab and takes off, leaving Monica behind]
[Scene: Central Perk. Chandler and Joey are sitting on the couch. Rachel is working.]
CHAN: [slowly lifts coffee cup to his mouth] Ow, ow, ow, ow, ow, ow, ow. [slowly sets the cup back down] Ow, ow, ow, ow, ow. [Joey intercepts the cup and puts it down for him]. She's insane, the woman is insane. It's before work, it's after work, it's during work. She's got me doing butt clenches at my desk. And now, they won't bring me my mail anymore.
JOEY: The guy still won't put out, huh?
JOEY: Maybe he, uhh... drives his car on the other side of the road, if ya know what I mean.
PHOE: Oohh, um, no, I don't think that's the problem. 'Cause we went, um, dancing the other night and the way he held me so close, and the way he was looking into my eyes I just like... definitely felt something.
PHOE: [seeing Ross kissing Julie outside the window] Ooh, oh, Rachel, don't look.
RACH: Oh yeah, c'mon, I'm movin' on. He can press her up against that window as much as he wants. For all I care, he can throw her through the damn thing.
JULIE: Yeah, we figure it'll live with Ross half the time, and with me half the time.
RACH: Ohh, well, isn't that just lovely. That's something the two of you will be able to enjoy for a really, really, really, really, really long time.
MICH: I don't know if Monica told you but this is the first date I've gone on since my divorce so, if I seem a little nervous, I am.
[Scene: Central Perk. Phoebe and Joey are sitting on the couch.]
JOEY: Phoebs look, if you want to know what the deal is, you're just gonna have to ask him.
[Outside the window, Monica and Chandler jog up. Monica playfully pushes him. They start puching and slapping harder and harder until Monica pushes him down. Chandler stands up, with a serious expression, and chases her away.]
[Scene: Back in the restraunt. Rachel pours the last of the champange bottle in her glass.]
[The waiter comes to the table.]
MICH: No, no, I am, but only because for the last hour and a half I've been playing the movie Diner in my head.
RACH: Closure, that's what it is. Closure. [she looks around the restaurant, spotting a guy with a cellular phone] Hello, excuse me. Excuse me, hel. . . woo [she almost falls out of her chair]
GUY: Alright, fine. [on the phone] I'll call you back. [hands the phone to her]
RACH: Thank you. OK. [dials] [to Michael] Machine. Just waiting for the beep.
RACHEL: [on phone] Ross, hi, it's Rachel. I'm just calling to say that um, everything's fine and I'm really happy for you and your cat who, by the way, I think you should name Michael. And, you know, ya see there I'm thinking of names so obviously, I am over you. I am over you and that, my friend, is what they call closure. [hangs up and tosses phone in the ice bucket]
[Scene: Chandler and Joey's apartment. Chandler is answering the door in his robe.] CHAN: No, no, no, no, no, no [opens door to Monica] No. Monica, it's Sunday morning. I'm not running on a Sunday. MNCA: Why not? CHAN: Because it's Sunday. It's God's day. MNCA: OK, if you say stop, then we stop. CHAN: OK, stop. MNCA: No, c'mon, we can't stop, c'mon, we've got three more pounds to go. I am the energy train and you are on board. Woo-woo, woo-woo, woo-woo [Chandler walks out of the apartment, leaving Monica] Woo. [Scene: Rachel and Monica's apartment. Rachel is taking asprin. Ross enters.] ROSS: Hey Rach. RACH: Ahhhh. ROSS: Oh. And how was the date? RACH: Umm, I think there was a restaurant... I know there was wine. . . [Rachel looks at Ross as though she remembers something, but can't place what it is.]
ROSS: Wow, well uh, uh, actually, Julie's downstairs getting a cab, I just need the cat toy, did Monica say. . . What? Why, why are you looking at me like that? RACH: I don't know, I, I feel like I had a dream about you last night but I, I don't remember. ROSS: OK. Oh, oh, oh. [runs over and picks up the cat toy] RACH: Did we speak on the phone last night? Did you call me? ROSS: No, I stayed at Julie's last night. RACH: Huh. ROSS: Oh, actually I haven't even been home yet. Do you mind if I check my messages? RACH: Oh yeah, go ahead. [Rachel walks in her room. Ross picks up the phone and dials his machine to check his messages.] ROSS: Rach, I got a message from you. [pauses] Who's Michael? [Rachel comes out of her room, suddenly she remembers leaving the message.]
RACH: Oh my God. Oh my God Ross, no, hang up the phone, give me the phone Ross, give me the phone, give me the phone, give me the. . . [jumps the couch and lands on Ross's back, finally getting the phone from him. Ross has a confused expression on his face.]
JOEY: I can't find the remote. [Phoebe turns off the TV] Thank you.
PHOE: He said that, um, he understands how sex can be like, a very emotional thing for a woman and he was just afraid that I was gonna get all, y'know, like, 'ohh, is he gonna call me the next day' and, y'know, 'where is this going' and, ya know, blah-la-la-la-la. So he said he wanted to hold off until he was prepared to be really serious.
PHOE: Yeah, so I said, "OK, relax please," y'know, I mean, sex can be just about two people right there in the moment, y'know, it's, if he wants to see me again he can call and if not, that's fine too. So after a looooot of talking. . . I convinced him.
ROSS: Not, not, not every night. You know, and... and it's not like I didn't try, Rachel, but things got in the way, y'know? Like, like Italian guys or ex-fiances or, or, or Italian guys.
ROSS: The point is I... I don't need this right now, OK. It, it's too late, I'm with somebody else, I'm happy. This ship has sailed.
RACH: Yeah, what're you saying, you just sort of put away feelings or whatever the hell it was you felt for me?
ROSS: Hey, I've been doin' it since the ninth grade, I've gotten pretty damn good at it.
[Rachel gets up and opens the door, yelling after him.]
RACH: And ya know what, now I've got closure. [Rachel slams the door and locks it. She sits down, visibly upset. She puts her head in her hands and begins to cry. Ross comes back and is standing outside the window. When Rachel regroups and gets back up to finish closing, she sees him. She smiles. She goes to open the door and can't get the lock undone.] ROSS: Try the bottom one. [She opens the door and they kiss.] [Scene: Chandler and Joey's apartment. Chandler answers the door to find Monica.] CLOSING CREDITS CHAN: Monica, it's 6:30 in the morning. We're not working out, it's over. MNCA: No way, with one pound to go, c'mon. We're workin', we're movin', we're in the zone we're groovin'. CHAN: OK, I don't, I don't mind the last pound. OK, in fact I kind of like the last pound. OK, so don't make me do anything that I'll regret. MNCA: Ooh, what'cha gonna do, fat boy, huh? What? CHAN: Nothing, except tell you, uh, I think it's wonderful how much energy you have. MNCA: Well, thanks. CHAN: I mean, especially considering how tough it's been for you to find work. MNCA: Well, you know. CHAN: You know, I mean, you can't tell your parents you were fired because they'd be disappointed. MNCA: [sad] Uh-huh. CHAN: And it's not as if you have a boyfriend's shoulder to cry on. MNCA: Well no, but um. CHAN: I mean, if it were me, I think I'd have difficulty just getting out of bed at all. MNCA: Y'know, I try to stay positive. . . CHAN: So, you feel like goin' for a run? MNCA: Alright. CHAN: Because, you know, you don't have to. If you want, you could just take a nap right here. MNCA: OK. Just for a little while. CHAN: OK. [Puts an afghan over her and dances into his room]
Frank: Yeah!! Little Leslie is here! We got another one! Oh my God, I can't believe I have two-two children. How scary is that? (He returns to the delivery room.)
(Theres a knock on the door and Monica answers it.)
Rachel: Jill, honey, I think this is the best thing that couldve ever happened to you. I mean you needed to get out on your own anyway! And you know when I did it, I-I-I at first I was scared, and look at me now! Im the only daughter dad is proud of! Okay, well this is, this is what youre gonna do. Youre gonna get a job, youre gonna get an apartment, and then Ill help you and you can stay with us. Right Pheebs, she can stay with us?
Chandler: Okay. You have to stop the Q-tip when there's resistance!
(We hear the backup horn of a truck and see through the window that the Mr. Bowmont has arrived.)
[Cut to Gary and Monica at the counter.]
Ross: What? (Glances over and sees the faces of the rest of the group, then goes and sits down.)
Ross: Alright, ok, let's do it. (Ross sits down at the desk and they all gather around him) Uhm, I know we start by discussing the shortcomings of carbon dating... uhm, and then, then I move on to what is clearly the defining moment of the Mesozoic era, the breakup of Pangea, hello! (Rachel and Joey look confused) And then, there's the... eh... there's the overview of the Triassic.
Mike: Phoebe, I love you. I mean, I missed you so much these last few months and I thought we were apart for a good reason, but then I suddenly realized that there was no reason good enough to keep me from spending the rest of my life with you.
(The game resumes.)
[Scene: Monica and Chandler's, Monica is in the kitchen as Phoebe enters.]
(Brenda pulls a chair to the counter and uses it to get up on the counter in order to clean the top of the cabinets. Monica sneaks over, bends over, and tries to see the stain. That doesnt work so she sticks her head between Brendas legs. Suddenly Brenda changes her stance and traps Monicas head between her legs.)
Joey: Oh, so we didn't win, but it's fun to play the game, right?
Ross: It was no big deal. We-we said that the rumor was that umm you had both male and female reproductive parts.
The Director: Okay, all right. Lets do it. (He walks off.) And Action!
[Cut back to the living room. Chandler slowly exits the bathroom and gets pushed from behind by Monica and sees Phoebe closing the apartment door.]
Phoebe: Oh no, none of them are the father. The father is my brother.
Ross: Who the hell is Jordie?
Joey: Uhh, the ball thing.
Joey: Hey, Rach, how you doing with The Shining?
(Chandler crawls over to Monica and they move in to kiss, but they cant do it and back up. They move in to kiss again, and kiss very awkwardly for a second, until someone knocks on the door.)
(She is wearing this giant straw hat, the brim on it must be at least, least foot wide.)
Chandler: Yes. Yes, and ah, ah, the trees are happy too, because for most of them, its the only chance to see New York.
Monica: Please... honey, leave the details to me. Now I wanna make this day as special for you as I can. Now, ok, I was thinking that the harpist should wear white.
Joey: Ah! (Points to door) Huh? (Leaves and slams the door)
Phoebe: Well... but David, just... I just want you to know that... that... you know... telling you this... is one of the hardest things I've ever had to do.
The Producer: Im sorry, why dont we do that right now? Hes right here. (Points to a guy.)
Joey: Yeah. I am sorry he's not here too, but I got to say, (takes some nachos from a plate on the seat where Chandler should have been) I am really enjoying Nacho Chair.
(The AD walks away wiping his face.)
Chandler: That was a celebration of life. Alright, look, I�m not gonna do this. Alright, is this really the way you want a baby to be conceived?
[Scene: The World Premiere of Over There, Joey and Chandler are arriving in a limo and are about to walk down the red carpet.]
The Casting Director: Okay, anytime.
Gary: Here's the thing.
Emily: I did. Now I'm the idiot.
Phoebe: Hmm, did you talk to Gary about the moving in thing?
Rachel: I have the best job in the entire world! The most adorable guy came over today, and I got to dress him up all day!
Monica: So umm, when I was in the shower I was thinking about our first night in London
Rachel: Oh, yeah, sure. I mean, like in the case of this young woman, she has lost her clothes, so she rides naked on the horse, shes crying out, Where are they, where are they?
(They throw the ball back and forth once.)
[Scene: Rosss bedroom, he has fallen asleep waiting for Emily to call. He is awaken by the phone.]
PHOEBE: Yeah, well me too, yeah. I think that's the challenge.
Phoebe: Ooh, I gotta go. I found a guy that who could fix up the van for catering.
Joey: Pheebs, you can't do that. The casting director doesn't talk to friends, she only talks to agents.
MONICA: Rach, get the heat. [Rachel holds up her hand with wet fingernail polish] Ross, could you turn the heat down please?
Chandler: (Pointing to the table and picking up the box.) Is that your tiny little box, thats too small to put anything in?
Phoebe: Well, just buy the damn boat! (Shes still working her way through her tray of booze.)
PHOEBE: Ok, right there. That, that's the third sign today. Right there.
[Scene: Joey and Rachel's, Rachel and Tag are making out on the couch.]
Phoebe: Save it Red! Unless you wanna spend the night in the slammer, you apologize to the tree.
[Scene: Michelle's, Chandler and Monica are discussing how to bribe the Maitre d'.]
Ross: No-no, I got the edge. I know it's not exactly ethical but I sent him a little bribe to
[The first clip is from The One Where Rachel Finds Out.]
Ross: Thats right! He was hitting on her, and I got her. I guess the better man won. (To Joey) Please dont take her from me.
The Man: I'm making change. I need change for the bus.
Carl: Exactly! And you just know I'm gonna be the guy caught behind this hammerhead in traffic!
[Scene: Monica and Chandler's apartment. Joey and Phoebe are there. There is a white crib decorated with balloons in the middle of the apartment. Also, there are boxes all over the apartment. Joey is working on something on the coffee table.]
RICHARD: Um, we should go too, I got patients at 8 in the moring.
Joey: What the hell is that?!!
[Scene: The hospital, Chandler has been rushed to the emergency room.]
(They follow him and meet him in the hall coming out of his apartment carrying a sweater.)
[Scene: Monica, Chandler, and Phoebe's, Chandler is on the phone, Rachel and Monica are sitting in the kitchen.]
ROSS: It's the only possibility, Phoebe.
Monica: Y'know, Joey, I think it's time to give up the bag.
Ross: Tag? Y-You're going? (Comes over to Tag) Uh we didn't, uh we didn't get the chance to talk. Uh, so, where did you say you're from again?
MR A: Well, I don't know what to tell you dear. The only thing I can think of is that she always used to say that before she died, she wanted to see everything.
Ross: Wow! You look nice. What's the occasion?
Chandler: Let me see the earrings.
Monica: What?! (She accidentally starts the blender without the lid on it and fruit flies everywhere.)
(The gang is now eaves dropping in on the conversation, and is shocked.)
Chandler: Okay! Now I assume the Saucer card came up when you played last.
(Ross tries to clear off the pool table by knocking the balls to the other end of the table, but they all bounce back, and he frantically starts to throw them into the pockets.)
Monica: Listen, we dont have to make that a guest room, we can think of something to do with the room together.
Rachel: It's the woman from the hospital admissions office. She says there's a problem with the form. Oh, god, oh god...
Joey: Yeah, sorry, the swallowing slowed me down.
Rachel: Yeah, I think she wants the old one back.
Phoebe: Yeah! And look, (Grabs the pants) see how they expand as the baby grows? (Theres a stretchy part in front.) And then after the babys born, theyre great for shoplifting melons.
Joey: (to Ross) Hey! Here's the birthday boy! Ross, check it out: hockey tickets, Rangers-Penguins, tonight at the Garden, and we're taking you.
Monica: Hey Rach, come on! We're gonna be late for the eye doctor appointment!
Joey: Nice try. (to Margha) See the Netherlands is this make believe place where Peter Pan and Tinker Bell come from.
Kate: Oh, yeah. I love Jennifer Van Murrays work. Shes so brilliantly incisive when it comes to deconstructing the psyche of the American middle class.
(Chandler and Monica enter from their room and Joey quickly hides the bag of potato chips behind his back.)
RACHEL: [answers door] Hi, welcome to our tropical Christmas party. You can put your coats and sweaters and pants and shirts in the bedroom.
Rachel: I did the first time! Oh. Oh.. <gets up and walks into the kitchen> And you know what. You want to know why I'm not giving Emily to you.
Chandler: And the Knicks rule all.
Chandler: Rachel got Ross the tuxedo that Val Kilmer wore in Batman. Okay Batman is so much cooler than James Bond!
Monica: But you should eat them now because theyre hot from the oven.
(The lights go up on the stage, Joey, as Freud, is talking to a female patient.)
Rachel: I'd say from the looks of it; our naked buddy is moving.
Chandler: Well, I believe the piece of furniture was fine until your little breakfast adventure with Angela Delvecchio
Phoebe: Um-hmm. Oh wait! This is Bonnie. (who has hair by the way)
[Scene: Monica and Chandler's, the bachelor party has ended and Monica is trying to explain herself to Chandler.]
Chandler: Please let me stay on this side of the door.
The Doctor: Hi Rachel!
Monica: Rachel, get the book! The book!
[Scene: Joeys bedroom, its the middle of the night, hes waking up and discovers hes alone in bed.]
The Doctor: You brought a carrot.
(Suddenly, a strange and familiar voice comes out of the tape player. Heres a hint, OH MY GAWD!! Thats right, its Janice!)
Monica: Yeah, but Janice? That-that was like the worst breakup in history!
Monica: Oh yeah right! (She grabs the money and shoves into her pocket.)
[Scene: A Restaurant, Monica and Chandler are on their date with Janice and Clark, however Clark is a no show and Janice is crying the Mississippi River about it.]