words in movies
[Scene: Monica and Rachel's apartment. Everyone is sitting at the couches, Chandler enters.]
RACH: So, how was the party?
PHOE: No, you are not, you are very attractive. You know what, I go through the exact same thing. Every time I put on a little weight, I start questioning everyting.
CHAN: Oh, you know, I would, but that might get in the way of my lying around time.
[Scene: Hallway between the apartments. Chandler comes out wearing spandex, jogging in place. Monica is there.]
[Cut to the city street. Monica and Chandler are jogging. Chandler is lagging behind so he hops in a cab and takes off, leaving Monica behind]
[Scene: Central Perk. Chandler and Joey are sitting on the couch. Rachel is working.]
CHAN: [slowly lifts coffee cup to his mouth] Ow, ow, ow, ow, ow, ow, ow. [slowly sets the cup back down] Ow, ow, ow, ow, ow. [Joey intercepts the cup and puts it down for him]. She's insane, the woman is insane. It's before work, it's after work, it's during work. She's got me doing butt clenches at my desk. And now, they won't bring me my mail anymore.
JOEY: The guy still won't put out, huh?
JOEY: Maybe he, uhh... drives his car on the other side of the road, if ya know what I mean.
PHOE: Oohh, um, no, I don't think that's the problem. 'Cause we went, um, dancing the other night and the way he held me so close, and the way he was looking into my eyes I just like... definitely felt something.
PHOE: [seeing Ross kissing Julie outside the window] Ooh, oh, Rachel, don't look.
RACH: Oh yeah, c'mon, I'm movin' on. He can press her up against that window as much as he wants. For all I care, he can throw her through the damn thing.
JULIE: Yeah, we figure it'll live with Ross half the time, and with me half the time.
RACH: Ohh, well, isn't that just lovely. That's something the two of you will be able to enjoy for a really, really, really, really, really long time.
MICH: I don't know if Monica told you but this is the first date I've gone on since my divorce so, if I seem a little nervous, I am.
[Scene: Central Perk. Phoebe and Joey are sitting on the couch.]
JOEY: Phoebs look, if you want to know what the deal is, you're just gonna have to ask him.
[Outside the window, Monica and Chandler jog up. Monica playfully pushes him. They start puching and slapping harder and harder until Monica pushes him down. Chandler stands up, with a serious expression, and chases her away.]
[Scene: Back in the restraunt. Rachel pours the last of the champange bottle in her glass.]
[The waiter comes to the table.]
MICH: No, no, I am, but only because for the last hour and a half I've been playing the movie Diner in my head.
RACH: Closure, that's what it is. Closure. [she looks around the restaurant, spotting a guy with a cellular phone] Hello, excuse me. Excuse me, hel. . . woo [she almost falls out of her chair]
GUY: Alright, fine. [on the phone] I'll call you back. [hands the phone to her]
RACH: Thank you. OK. [dials] [to Michael] Machine. Just waiting for the beep.
RACHEL: [on phone] Ross, hi, it's Rachel. I'm just calling to say that um, everything's fine and I'm really happy for you and your cat who, by the way, I think you should name Michael. And, you know, ya see there I'm thinking of names so obviously, I am over you. I am over you and that, my friend, is what they call closure. [hangs up and tosses phone in the ice bucket]
[Scene: Chandler and Joey's apartment. Chandler is answering the door in his robe.] CHAN: No, no, no, no, no, no [opens door to Monica] No. Monica, it's Sunday morning. I'm not running on a Sunday. MNCA: Why not? CHAN: Because it's Sunday. It's God's day. MNCA: OK, if you say stop, then we stop. CHAN: OK, stop. MNCA: No, c'mon, we can't stop, c'mon, we've got three more pounds to go. I am the energy train and you are on board. Woo-woo, woo-woo, woo-woo [Chandler walks out of the apartment, leaving Monica] Woo. [Scene: Rachel and Monica's apartment. Rachel is taking asprin. Ross enters.] ROSS: Hey Rach. RACH: Ahhhh. ROSS: Oh. And how was the date? RACH: Umm, I think there was a restaurant... I know there was wine. . . [Rachel looks at Ross as though she remembers something, but can't place what it is.]
ROSS: Wow, well uh, uh, actually, Julie's downstairs getting a cab, I just need the cat toy, did Monica say. . . What? Why, why are you looking at me like that? RACH: I don't know, I, I feel like I had a dream about you last night but I, I don't remember. ROSS: OK. Oh, oh, oh. [runs over and picks up the cat toy] RACH: Did we speak on the phone last night? Did you call me? ROSS: No, I stayed at Julie's last night. RACH: Huh. ROSS: Oh, actually I haven't even been home yet. Do you mind if I check my messages? RACH: Oh yeah, go ahead. [Rachel walks in her room. Ross picks up the phone and dials his machine to check his messages.] ROSS: Rach, I got a message from you. [pauses] Who's Michael? [Rachel comes out of her room, suddenly she remembers leaving the message.]
RACH: Oh my God. Oh my God Ross, no, hang up the phone, give me the phone Ross, give me the phone, give me the phone, give me the. . . [jumps the couch and lands on Ross's back, finally getting the phone from him. Ross has a confused expression on his face.]
JOEY: I can't find the remote. [Phoebe turns off the TV] Thank you.
PHOE: He said that, um, he understands how sex can be like, a very emotional thing for a woman and he was just afraid that I was gonna get all, y'know, like, 'ohh, is he gonna call me the next day' and, y'know, 'where is this going' and, ya know, blah-la-la-la-la. So he said he wanted to hold off until he was prepared to be really serious.
PHOE: Yeah, so I said, "OK, relax please," y'know, I mean, sex can be just about two people right there in the moment, y'know, it's, if he wants to see me again he can call and if not, that's fine too. So after a looooot of talking. . . I convinced him.
ROSS: Not, not, not every night. You know, and... and it's not like I didn't try, Rachel, but things got in the way, y'know? Like, like Italian guys or ex-fiances or, or, or Italian guys.
ROSS: The point is I... I don't need this right now, OK. It, it's too late, I'm with somebody else, I'm happy. This ship has sailed.
RACH: Yeah, what're you saying, you just sort of put away feelings or whatever the hell it was you felt for me?
ROSS: Hey, I've been doin' it since the ninth grade, I've gotten pretty damn good at it.
[Rachel gets up and opens the door, yelling after him.]
RACH: And ya know what, now I've got closure. [Rachel slams the door and locks it. She sits down, visibly upset. She puts her head in her hands and begins to cry. Ross comes back and is standing outside the window. When Rachel regroups and gets back up to finish closing, she sees him. She smiles. She goes to open the door and can't get the lock undone.] ROSS: Try the bottom one. [She opens the door and they kiss.] [Scene: Chandler and Joey's apartment. Chandler answers the door to find Monica.] CLOSING CREDITS CHAN: Monica, it's 6:30 in the morning. We're not working out, it's over. MNCA: No way, with one pound to go, c'mon. We're workin', we're movin', we're in the zone we're groovin'. CHAN: OK, I don't, I don't mind the last pound. OK, in fact I kind of like the last pound. OK, so don't make me do anything that I'll regret. MNCA: Ooh, what'cha gonna do, fat boy, huh? What? CHAN: Nothing, except tell you, uh, I think it's wonderful how much energy you have. MNCA: Well, thanks. CHAN: I mean, especially considering how tough it's been for you to find work. MNCA: Well, you know. CHAN: You know, I mean, you can't tell your parents you were fired because they'd be disappointed. MNCA: [sad] Uh-huh. CHAN: And it's not as if you have a boyfriend's shoulder to cry on. MNCA: Well no, but um. CHAN: I mean, if it were me, I think I'd have difficulty just getting out of bed at all. MNCA: Y'know, I try to stay positive. . . CHAN: So, you feel like goin' for a run? MNCA: Alright. CHAN: Because, you know, you don't have to. If you want, you could just take a nap right here. MNCA: OK. Just for a little while. CHAN: OK. [Puts an afghan over her and dances into his room]
Rachel: Joey, do you have peanut butter on the back of your head?
Phoebe: Uhm... well, they're not in the wedding.
Gene: I'll take "You crossed the line".
[Scene: Central Perk, Chandler is sitting on the couch when some unknown guy comes in and sits in their easy chair.]
The Librarian: Well, yes! Just give me five minutes, I just have to find someone to cover my shift.
Chandler: Which, by the way, is the real San Francisco treat. (Calls her, then hurriedly hangs up.) I got her machine.
(Cut to Chandler and Ross. Phoebe comes out of the ladies room and they run toward her.)
Chandler: Im just trying to find the right moment, you know?
Mike: Do I have a minute to go to the bathroom?
[Scene: Ross and Rachels. Rachel is standing in front of the TV holding a video.]
MIKE: huh.� (pause)� What's the difference between beer and lager?
(the screen says "6 to win" and "types of trees")
Phoebe: Why, do I have a feeling thats not as happy as it sounds? (Joey points out one going into the chipper to her, as this haunty, demonic music starts to play in the background) No! Nooooo!!! (she winces in horror and hides her face against Joeys shoulder, as she sees the tree spit out from the chipper.)
Phoebe: Oh Joey, you bummed him out! This was the happiest dog in the world, and he spends half a day with you, and look at him!
[Scene: Chandler and Joey's, erm, Monica and Rachel's, Chandler is there and is getting ready to direct a bunch of strippers, Monica, Rachel, and Phoebe on what to do in the upcoming orgy of lesbian lust. Yes, its a dream sequence, this isnt cable.]
(The nurses take Erica to the recovery room. Monica and Chandler smile at each other.)
Chandler: All right, rock on. (Does the Hang 10 sign, then hides his face in shame.)
(Monica enters the room)
(Ross enters the room)
Ross: I know, it's crazy! We were just pushing Ben on the swings
(Joey climbs up on the counter and starts looking at the top of the cabinets.)
Rachel: All right Joey! That is enough! (Grabs him and pulls him away from Bobby and Dina) Listen, as beautiful and moving as this ceremony is, its not legal. Okay? They-they dont have a marriage license, they dont have any witnesses, and the groom only has on one shoe!
[Scene: Outside Central Perk, Chandler and Monica are waiting for Phoebe to arrive with the cab.]
Monica: Oh. So nice of her to pull my hair, 'till I dropped the key!
(Mike enters the room).
Mike: (looking around the room) This is... great...
Mindy: Well, ever since we announced the engagement, he's been acting really weird, and then last night, he came home smelling like Chanel.
(Phoebe grabs Gunther and kisses him. He then falls to the couch in shock.)
(She leaves. Chandler presses his face to the glass door after her, stroking the window lovingly. He then turns to the security camera and starts talking to it.)
Monica: (sliding into Joeys place on the couch to try and talk to Phoebe) Huh? Whatd ya say Joe? Ill be right there. (gets up and joins Joey)
[Scene: Casting Director #2s office, Joey is on his second audition. This one is for Purina One Dog Chow, an actual item. Please note the gratuitous product placement.]
Rachel: What? This-this, no, oh no, no-no-no, this is notthats-thats not what it is. See, see, okay, I work in fashion, see and-and, this is a real dress actually. Its-its, theyre-theyre wearing it in Milan, so part of my job is too wear the clothes, and then I see how people respond, and then I report back to my superiors at Bloomingdales, so And obviously in uh, in-in this case, (She grabs a pen and paper) I am going to report back, "USA not ready."
Issac: Oh right, that Rachel chick from the coffee place.
Chandler: Will we love it so much with her next door? And she's gonna be louder out here too. Just the crickets and (apes Janice's voice) "Oh My God"!
Mike: Uhm, did you guys know that there is a giant ice sculpture in the hall?
Charlie: Kinda playing fast and loose with the word "interesting".
Roy: Whoa, whoa, whoa (he turn off the music). She cringed!
[Scene: The corridor. Ross and Joey have just arrived.]
The Interviewer: Now youll be heading a whole division, so youll have a lot of duties.
[Time lapse, Rachel pushes the flight attendant call button, takes Ross's drink, and spills it into his lap.]
Chandler: I'll tell you at the wedding.
Monica: Guys, rules are good! Rules help control the fun! (They all leave and close the door on Monica.) Ohhh! (Throws her notepad down in disgust.)
Rachel: Well, thats because of a lot of (She imitates someone picking their nose and placing the treasure found in the pockets.)
Joey: (to the waiter) What are you still doin here?! I told you, lobster ravioli!
Monica: Alright, what was this sentence originally? (shows the sentence to Joey)
Rachel: Since when do you watch the news?
Monica: (To Rachel) Oh, are the drapes still closed hon?
Phoebe: Oh! I though the pot stickers were supposed to be vegetarian!
[Scene: Ross and Rachel's room, Ross is drinking a beer while Rachel is examining herself in the mirror.]
[Scene: Rachels Room, Joey moves Rosss coat to get the tissues Rachel wants and the engagement ring box Mrs. Geller gave him falls out of the pocket it was inside. Joey goes to one knee, picks up the box, opens it, and sees that its an engagement ring.]
Monica: Look! (She puts a big, yellow pair of sunglasses on the bird.)
[This starts a series of flashbacks starting with Monica and Chandler forcing Joey to keep his new found knowledge of their secret relationship in Monicas bedroom in The One With All the Kips.]
(Ross enters the apartment with Amy)
Store Guy: All right, everybody, I'm openin' the doors. You boys ready?
Ross: Well, um, actually, I-I took her to the planetarium. Thats-thats where we had our first date. Um, she walked in and I had the room filled with lilies, her favorite flower
Phoebe: Yeah. I was just in there. He introduced himself and the next thing I know, were making out. You know.
Ross: It's the dog.
Rachel: Joey, Emma's right here! You promised not to bring girls home in the middle of the day anymore.
ROSS: Tough noogies, we're watching Predators of the Serengetti.
Ross: Wha...? Oh sure, now they lock it, but when they're having sex on the couch, its like: "Come on in, my butt is surprisingly hairy".
Rachel: Ross, those things go like 40 miles an hour! Ok? When you're... and there is that moment when you are at the top, when you just don't know if you're gonna return back to earth!
Monica: Yeah, yeah, it's interesting.. but y'know what? Just for fun, let's see what it looked like in the old spot. (She moves it.) Alright, just to compare. Let's see. Well, it looks good there too. Let's just leave it there for a while.
(the music ends)
Janice: Yeah, well, it scares me! I mean I not even divorced yet, Chandler. You know, you just invited me over here for pasta, and all of the sudden you're talking about moving in together. And, and I wasn't even that hungry. You know what, it's getting a little late, and I-I should just, um...(starts to leave)
[Scene: The hallway between the two apartments. Chandler and Joey are walking up the stairs.]
Joey: (interrupting her) Hey! Don't worry about it! It was fine! I ended up having the best time with Rachel! I just felt bad for you, stuck in that room, working on Ross's speech... (pulls a face)
THE END
Rachel: How was the honeymoon?
Chandler: No, no resentment, believe me, it's worth it. 'Kay? Y'know in a relationship you have these key moments that you know you'll remember for the rest of your life? Well, every- single- second is like that with Aurora.. and I've just wasted about thirty-five of them talking to you people, so, uh.. Monica, can you help me with the door? (He has armloads of stuff.)
(A guy enters that looks suspiciously like Alec Baldwin from The Hunt for Red October, Pearl Harbor, and Beetlejuice.)
(She has cleaned it, completely redecorated it, removed the carpet, and polished the floor.)
[Scene: Monica and Phoebe's class; the class has ended and Phoebe is talking to one of her classmates.]
PHOEBE: Well I have a video, you have to pay attention. No this, this voice woman, she's so talented but, according to the producer people, they said she doesn't have like the right look or something, ya know. I mean, it's like, she's like one of those an imals at the pound who like nobody wants 'cause they're not pretty enough or you know. Like, like some old dog who's just kind of like stinky and. Huuuuh, oh my God, she's smelly cat. Oh, oh that song has so many levels.
Ross: All right, you know that one was coming, but that doesnt mean you have unagi. (Does the finger thing.)
Chandler: Have you figured out what started the fire Mr. Fireman?
Rachel: Thats it. (She crawls onto the bed) Ow!!!
[Both Chandler and Joey put their feet up against the glass, Monica doesnt and gets thrown up against the glass.]
Joey: Dude, you see right thru me!! (They hug) (Joey heads for the door and pushes Chandler's suitcase on the way out.)
Ross: You know, I think thats a great idea. It'll be like the pilgrims bringing the Indians syphilis.
Ross: And what(notices the stenographer is still typing)What are you typing that for? Did you hear what she said? We dont get the annulment. Dont type that! What?! Stop typing! (He goes over to where the stenographer is typing and in the process pushes Rachel out of his way.) Hey! Stop typing! (Hes still typing.) Stop typing! Stop typing!!
Monica: Sweetie, with you its gonna be different. The sex is gonna be great, cause you-you guys are in love.
Joey: How could I not get the part? The play was about a 29-year-old Italian actor from Queens.
Rachel: Ok, that's it! Just give'em to me! I'll split them up! (she tries to snatch the bowl from Joey's hands but she can't, so she pinches his nipple and she manages to take it)
Rachel: Well, look, it's hardly snowing anymore. I mean you couldn't ask for a more romantic setting. This could be the simple wedding you've always wanted!
Joey: (To Chandler) Okay look, Chandler, if this (Motions back and forth indicating the arrangement.) you have got to listen! (Tugs on his ear.) (Chandler glares at him.) Youre gonna throw that juice at me, arent ya?
Monica: Hi. About last night... I know you are under a lot of stress and even though the things you said hurt me a little bit... My point is, uh, well, I'm willing to take my job back.
Phoebe: Yea. Can I please, please, please talk to one of the best men? This is going to be the last time I promise.
Monica: (angry) Ow, what are the chances!
Chandler: All right, we havent had sex yet. Okay, whats the big deal? Yknow? This is special, and I want our love to grow until we move on to the next level.
Ross: Did the TV wake you?
Ross: Nope, just the one. RACH!
(Chandler and Monica hug and after a while the telephone rings again... Monica's eyes get bigger. Chandler answers.)
[cut to the living room of the same dwelling, where the funeral guests are mingling. Monica enters.]
Caitlin: (wanting more than anything to get the money and leave this horrible, horrible place) Yeah.
[Scene: Monica and Rachel's apartment. Chandler is sleeping on the couch. Monica walks by and starts watching him.]
Joey: Okay, hey, museum geeks, partys over. Okay. Wave bye-bye to the nice lady. There you go. Back to your parents basement. All right. (The museum geeks exit and Joey unlocks his door and lets the chick and the duck out.) Come on boys, come on out! Here you go. All right.
Chandler: I Think last night was great. You know, the Karaoke thing. Tracy and I doing Ebony and Ivory.
Rachel: Ok, ok, that's fine. Fine. Hey, I'm sorry about that spill before. (picks up the tip he leaves) Only $98.50 to go.
Ross: I didnt know what I was taking full responsibility for! Okay?! I didnt finish the whole letter!
Monica: Who's Gladys? (Phoebe shows her a horrific painting with a half-a-body girl dummy coming out of the frame. Monica's frightened and she gasps.) Oh! What a tragic loss!