words in movies
[Scene: Monica and Rachel's apartment. Phoebe, Monica, and Rachel are there, discussing the night before.]
PHOE: Ok, all right. We want to hear everything. Monica, get the wine and unplug the phone. Rachel, does this end well or do we need to get tissues?
MNCA: [getting the wine] Do not start without me. Do not start without me.
PHOE: Ok, all right, let's hear about the kiss. Was it like, was it like a soft brush against your lips? Or was it like a, you know, a "I gotta have you now" kind of thing?
MNCA: [reading the paper] There are no jobs. There are no jobs for me.
ROSS: Yeah, it was, but...I get home, ok, and I see Julie's saline solution on my night table. And I'm thinking to myself, oh my god, what the hell am I doing? I mean, here I am, I am with Julie, this incredible, great woman, who I care about and who cares about me, and I'm like, what, am I just gonna throw all that away?
[Ross and Rachel look at each other and then at Phoebe, realizing the song is about their situation.]
PHOE: [singing] There was a girl, we'll call her Betty, and a guy let's call him Neil. Now I can't stress this point too strongly, this story isn't real. Now our Neil must decide, who will be the girl that he casts aside. Will Betty be the one who he loves truly? Or will it be the one who we'll call Ju...Loolie? He must decide, he must decide, even though I made him up, he must decide!
MNCA: So, Mr. Rastatter, what exactly does this job entail? The ad wasn't too clear.
RTST: No, ma'am. Well, anyhoo, we should be getting our F.D.A. approval any day now, hopefully, in time for Thanksgiving. See, the way we look at it, chocolate already dominates most of your major food-preparation holidays: Easter, Christmas, what have you.
RTST: But, we're thinking, given the right marketing, we can make Thanksgiving the Mockolate holiday.
MNCA: Especially the after taste, you know, I'll tell ya, that'll last ya till Christmas.
[Scene: Chandler and Joey's apartment. Ross is up in arms about the Rachel/Julie situation.]
JOEY: Hey, here's a thought, Ross. [reaches for the computer]
CHAN: Don't touch the computer. Don't ever touch the computer.
JOEY: Ok, let's start with the cons, 'cause they're more fun. All right, Rachel first.
MNCA: Ok, this is pumpkin pie with mockolate cookie crumb crust. This is mockolate cranberry cake, and these are mockolate chip cookies. Just like the Indians served.
[Rachel runs to the sink to spit it out.]
[Scene: Chandler and Joey's apartment. Chandler is on the phone with a computer hotline.]
CHAN: I'm telling you this thing won't print. Yes, I pressed that button like 100 times. You know, for a hot line you are not so hot. What? What is that in the background? Are you watching Star Trek?
ROSS: Yes, it was horrible. She cried. I cried. She threw things, they hit me. Anyway, I did the right thing.
ROSS: No, no, uh, it's not what you think. It's um the other thing.
RACH: Well, what's the other thing, what do I think?
[Chandler closes up the laptop computer screen.]
CHAN: No, no, see? See? [the printer starts to run] Hey, it's printing. [to Joey, rattled] Hey, it's printing!
[Chandler rips off the sheet of paper from the printer.]
ROSS: He won't? [remembers what it is] He won't! Because, isn't that, isn't that the, the short story you were writing?
CHAN: [through gritted teeth] Alright. [clears his throat] "It was summer, and it was hot. Rachel was there. A lonely gray couch. 'Oh, look,' cried Ned, and then the kingdom was his forever. The end."
ROSS: That's it? That's all you wrote? You're the worst writer in the whole world.
RACH: All right, you know what, that's fine. If you guys want to be children about this, that's fine. I do not need to see it. [Rachel grabs the paper and runs across the room, reading it to herself.]
ROSS: Now that's a little spoiled. He was supposed to type "little", the idiot.
ROSS: No, that, that was, I mean, as opposed to uh, the uh, ok. Is this over yet Rach?
[Rachel leaves, and Ross follows her into the hall.]
ROSS: No, no, wait, ok, ok, look at the other side. Look at Julie's column.
RACH: She is not Rachem. What the hell's a Rachem? Is that some stupid paleontology word that I wouldn't know because I'm just a waitress.
[She goes into her apartment and slams the door.]
MNCA: You know, that's true. You'd be a great person to have around the day after an emergency.
PHOE: Yeah, by the way, good luck in your next life as a dung beetle.
[Scene: Monica and Rachel's apartment. Rachel is sitting on the couch, eating candy. It is raining out. Ross climbs up the fire escape and is knocking on the window.]
RACH: [coldly] When somebody does not buzz you in, Ross, that means go away. That doesn't mean please climb up the fire escape.
[Rachel closes the drapes over the window, goes into her bedroom and closes the door.]
ROSS: [reading his list] Ok, ok, number one: The way you cry at game shows. Number two: how much you love your friends. Number three: the way you play with your hair when you're nervous. Number four: how brave you are for starting your life over. Number five: how great you are with Ben.
ROSS: Number six: the way you smell.
JOEY: [opens the drapes] Hey, Ross! What are you doin'?
ROSS: Hey, Joey. You wanna open the window?
[He opens the window, Ross comes in, soaked.]
[Ross runs to Rachel's bedroom, knocking on the door.]
[Rachel opens the door.]
RACH: [near tears] No, you don't, Ross. Imagine the worst things you think about yourself. Now, how would you feel if the one person that you trusted the most in the world not only thinks them too, but actually uses them as reasons not to be with you.
RACH: Oh, well, that's, that's mighty big of you, Ross. [to the others] I said don't go!
ROSS: You know what? You know what? If, things were the other way around, there's nothing you could put on a list that would ever make me not want to be with you.
RACH: Well, then, I guess that's the difference between us. See, I'd never make a list.
[She closes the door in his face. Ross walks sullenly back to the couch and sits down. A moment of silence ensues.]
MNCA: Now, in some of these recipes, the quantities may seem just a little unusual, uh, like these coconut mockolate holiday nut bars. I've indicated four cups of coconut, and four cups of crushed nut, and only, uh, one tablespoon of mockolate.
RTST: Yeah, well, anyhoo, here is your check. [hands it to her] Thank you for all the trouble you went through. Um, listen, you didn't eat a lot of it while you were cooking, did you?
RACH: [to Monica] Is that him again? Tell him I'd come to the phone, but my ankles are weighin' me down.
MNCA: [to Ross] Listen, I... I don't think this is the best time.
MNCA: Sure, what? Ok, ok. [hangs up the phone] [to Rachel] Music?
[Monica turns on the radio.]
RADIO: The next one's dedicated to Rachel from Ross. Rachel, he wants you to know he's deeply sorry for what he did and he hopes you can find it in your heart to forgive him. (With or Without You plays)
[Rachel seems touched. She pauses for a moment, then picks up the phone and starts to dial. Cut to Ross at his apartment.]
MNCA: Oh, not at all. I have no morals and I need the cash.
Rachel: Okay, very cute braces. Anyway yknow what, the point is Tag, start looking because you are going to find those contracts on your desk. (She goes into her office.)
Chandler: The reason we havent told them were together is because they hate me, okay? So will you fix this?
(there's knocking on the door which Phoebe opens)
[Scene: Monica and Rachel's, Monica is making a drink as Phoebe enters with the fur coat.]
Ross: (returning from the phone.) So, I just picked up a message from Emily, she and Susan are going to a poetry reading together!
Monica: Okay, heres your milk. What do you want to talk about? (She sees that Chandler has fallen asleep and slams the door loudly to wake him up.)
[Time lapse, they're still on the ride along and Joey is just sniffing his sandwich.]
Monica: And the eye!
Rachel: Okay, uhm... alright, here's the deal.
Rachel: Oh, yeah, well Yeah, no use wasting this baby, just lyin around the house.
Waitress: Hey Monica, theres a customer who wants to complement the chef, should I let him in?
Ross: Duh, you think? (enters the kitchen)
Phoebe: Great! Okay, good for you! (as they leave she slaps Rachel on the butt)
(Mike enters the apartment.)
Phoebe: Okay, not a fan of the tough love.
Joey: Oh, thats, thats ah, one of the old ones, hes just taking it to the back.
Ross: My God. Rachel! (He walks towards her, grasps her hands and kisses her on the cheek.) Your here. I cant believe it. (She giggles.) What happen? Why are you here?
Chandler: Y'know what, it doesnt matter, cause she picked me. Me! From now on I get the dates and you have to stay home on Saturday nights watching Ready, Set, Cook!
Ross: (Thinking it over) Sure! (Takes one) Hey, I just found out, I get Ben for the holidays this year.
Phoebe: Well, one of you has to take the first step! And it should be you, because shes the one whos leaving. Its harder for her!
Chandler: Hit yourself in the tooth?
Phoebe: Im sorry, but I just wrote the best dance song for your wedding. Check this out. (Gets ready to play.)
THE END
[Scene: Central Perk, Ross and Chandler are entering after the play. Phoebe and Joey are already there.]
Tag: How could I have left them in the copy room?
(Chandler enters from the bathroom)
Ross: Oh, great! Listen, oh I had to get you a whole new battery. I got you the best one I could, cause thats not where you want to skimp.
Eric: Just seeing her brought it all back. All the lies, the way she used me. I just I got so angry just looking at her (Looks at Phoebe) face.
(Larry goes to leave but heads the wrong way and makes a quick sidestep to go out the right door.)
Girl: Why dont you look in the mirror, scrud.
Chandler: I am telling you, years from now, schoolchildren will study it as one of the greatest first dates of all time. It was unbelievable! We could totally be ourselves, we didn't have to play any games...
Rachel: (now looking up at the ceiling) That is hard to say, Ross. That is hard to say.
Rachel: In the afternoon. Mr. Zelner came into my office after lunch. He put them on my desk, and then I put a Post-It on it (Looks down onto her desk and finds the folder with the Post-It on it that contains the contracts she imagined she gave Tag) that said, "Must go out today." So you just keep looking in there! All right?
Joey: A monologue? I don't have.. (sees the book he was reading before for his "dramatic reading") I got it. (hangs up) (announces to the room) Aah! so... I'm gonna take off!
MIKE: I'll get it.� (He lunges across Ross's lap on the sofa to reach the phone.� Ross stares at him with wide eyes.)� Hello?� Ross's place.� Mike speaking.� (pause.� Hands phone to Ross)� It's for you.
Ross: Well I told you it was Chandler who was smoking the pot but it was me. Im sorry.
Monica: Hi! Umm, Im Monica Geller, Im the chef at Alessandros.
MRS. GELLER: Over here Jack. OK. I see, Rachel's coming up the path. Oh doesn't she look pretty. Jack, get this. [Rachel enters with a huge nose]
Joey: Ok! All right, well... I'm gonna see if I can get a room for the night and I'll... I'll see you later!
Joey's Co-Star: Not if we extract tissue from the original host body, synthesize antibodies, and introduce them into your system, which could stop it from rejecting the brain.
The Security Guard: I'm just taking you outside!
Mr. Geller: Ive been thinking about getting rid of it. I was driving it the other day and saw my reflection in a store window. Your mothers right, I do look like an ass.
Colleen: The bathroom is down the hall, to your left.
PHOEBE: [pauses the tape] Ok, Ben, this is the part where Ernie buries Bert in the sand and can't find him. Now, I've looked ahead on the tape and he does find him again. But, ok, before that happens, there's some pretty rough goin' for a while but I think we can handle it. And, there's just the alphabet but we know that ends well so. Ok, here we go. [starts the tape again]
Monica: (breaking it up) Uh Rachel? Rachel, why dont you sit here? (Next to Joey) And Will you sit way over there. (The other side of the table.)
Rachel: Well, maybe the next batch, we could all get some.
(The oven timer pings in the kitchen.)
(He runs off to the kitchen.)
All: Oh! (They stop hugging her to let her out and resume the hug without her.)
Chandler: (trying to cover up why his hand is over his heart) One nation, under God. Indivisible with liberty and justice for all. (Laughs.) I remembered it. (Its a butchered version of the Pledge of Allegiance of the United States for our foreign friends.) The champagne is here. (The waiter is delivering it and pouring two glasses.)
Charlie: No, no, no, not the Mets, the MET, singular!
Monica: Why? What did you do in the bathroom?
Phoebe: (catches it) Nah, I don't feel like playing. (She sets the ball down on the table and everyone gasps.)
Phoebe: Hey!! (The bucket starts smoking.) The charity's on fire! Help! (Yet another guy walks by carrying a cup, which Phoebe grabs.) Oh good! Thank you, I need that. (She throws onto the smoldering fire. Suddenly the bucket erupts in flames.) Whoa! What is that?! (She sniffs the cup.) (To the guy.) It's nine o'clock in the morning!
Rachel: Oh, why do you even bother? I already ruined her first birthday... And do you know how important these early experiences are Ross? Very! According to the back cover of that book that you gave me.
Ross: No-no, I took them from the hotel lobby. Yeah, they think they can charge me for some dirty movie and a bag of Mashuga nuts, they got another think coming. (Starts to leave.) Hey! My sweater! Ive been looking for this for like a month!
Chandler: No, its not! When I looked at the other ring I could see Monicas face when I gave it to her, yknow? And I could see her saying yes. When I look at this ring, all I see is a ring! Unless I look at it really closely and then I can see my own eye. (Does so and laughs.) Look, this is the most important thing Im gonna do in my life. I wanna make sure its perfect.
Charlie: You're on fire! I'll call you in the morning, okay?
Monica: Limited seating my ass. Lets see who made the cut. (To the couple sitting to her right.) Hi!
Joey: I have to go to the bathroom too, but I dont want him complimenting my thing.
(Ross goes to the kitchen.)
(He goes back to the kitchen.)
Joey: Yeah. I'll see you in the morning.
Phoebe: Ohh, you and your ways. (She shakes the bell at him and sits down.) Since its Christmastime. Im going to be one of those people collection donations.
[Scene: Rachel's hotel room. Joey is standing at the door, facing Rachel]
Ross: My first time with Carol was... (He mumbles the last part)
Ross: Look Rach if-if you want to go for a ride in the Porsche Ill be glad to take you for a quick spin around the block.
THE END
Chandler: Wow! So tonight may be the night! You're nervous?
(The triplets stare at him.)
[Scene: Central Perk. Monica and Chandler enter to find Phoebe there with the triplets.]
(They shake hands, he walks out and shuts the door, then seems to change his mind, moves to open the door, than changes his mind again and leans over the door. Just then, Rachel opens the door)
[The next clip is from The One With The Jellyfish.]
Ross: The kid...? (To the kid) Excuse me, uh, that's, that's my puck.
Chandler: I wanna quit the bank!
Phoebe: Hey. Here. (Hands Chandler a copy of her flyer and sees the picture of Ralph.) Ohh, whos the silver fox?
Rachel: Well yeah, I wish that you would. (He opens the top drawer.) Well, no its not in there! (Closes it.) How about that drawer? (She points to the bottom one and he opens it. She doesnt see the folder she planted and bends over to check.)
Male Guest: (to the Maitre d') Good evening. (Shakes his hand)
(All are returning from the street after picking up dropped lottery tickets)
Joey: (after Ross leaves the room) aaand SEND! (he hits the send button)
Phoebe: Oh, okay, I'm having another one! This one doesn't hurt eitherOoh, yes it does! Ow! Ow! Ow! Ow! Ooh! (Checks under the blanket.) Oh, I was kinda hoping that was it.
Joey: What’s the matter?
Chandler: (sighs) Just one more thing. I was so pissed at you that night that I wanted to get back at you. So I thought, who does Ross like the more than anybody?
Chandler: Okay, but this is the last time. (singing) With a chick-chick here, and a chick-chick there. Here a chick, there a chick, everywhere a chick-chick-(Joey enters)-chickeeeen.
Donny: Okay. Give me sixty seconds on the clock please... Ready, GO! (runs off)
(The machine picks up the phone)
Chandler: Hello? Is someone on the line?
Joey: Its not what you said. Its the way you said it Oh My God, Im a woman!!!
Joey: London baby!! (And Rachel slowly closes the door, sadly.)
[Scene: Monica and Chandlers. Monica and Chandler are sitting on the couch still staring at the screen.]
Chandler: Sure! Thats one of the great things about being engaged. Im not nervous talking to pretty girls anymore.
Joey: Hey Chandler can I talk to you for a second (points to the hall).
Phoebe: Come on! The boss that fires a guy thats just been dumped, bitch! And the woman who dumps a guy thats just been fired, blond bitch!
[Scene: Central Perk. Phoebe's trying to teach Joey French, so she's sitting in front of him with the script in her hands.]
Ross: Hey! Howd the ah, basketball go?
PHOEBE: Hey. Oh thanks for the great movie tip.
Parker: What a beautiful place. What a great night! I have to tell you, being here with all of you in Event Room C I feel so lucky. I think of all the good times that have happened here. The birthdays, the proms, the mitzvahs both bar and bat, but none of them will compare with tonight! My God, I dont want to forget this moment! Its like I want to take a mental picture of you all! Click! (He takes a mental picture of them all.)
[Scene: The hallway]
Rachel: We took our apartment back!! (Slams the door shut.)
Phoebe: Please, Monica? In the hall?