words in movies
Ross: Uh, Pheebs, while were hovering around the subject. I just have to say dinosaurs, they-they dont go, rrroof!
PHOE: Although, you know what? You might want to consider wearing underwear next time. Yeah, cause when you sat down on your throne you could kind of see your... royal subject.
Rachel: (changing the subject) Anyway, speaking of drinking too much. I was uh, tellin Phoebe about that one crazy night after the Sigma Chi luau where you and I uh, we made out.
Chandler: Okay, heres the situation. The keys to the cuffs are on the back of the door. Could you be a doll and grab them and scoot on over and unlock me? And on a totally different subject, that is a lovely pantsuit.
Ross: Alright. (He goes to get the glasses. Then he hesitates and turns off the main light. Rachel looks round and he acts surprised) The, uh, the neighbours must be vacuuming. (He sits down and starts to pour the wine) Well, so long as we're here and, uh, not on the subject, I was thinking about, uh, how mad we got at each other before, and, um, I was thinking maybe it was partially because of how we, um...
Kiki: And while we're on the subject of news.. (She holds up here finger to show off her engagement ring and they all scream again.)
Rachel: Okay, okay, could we change the subject, please?
Monica: Okay, I've broken them down into categories. Okay, we have uh, we got holidays, birthdays, candids, y'know And then what I've done is I've cross-referenced them by subject. Right? So if you're looking up, oh let's say birthdays and dogs, you get Photo 152. See? (Hands her the photo.)
Chandler: (changing subject) OK, so at this point, the dealer...
Joey: Hey-hey dude, why are you changing the subject? Why? Will you make the call or what?
Rachel: (changing the subject) Yknow Bob in Human Resources
Monica: (trying desperately to change the subject) So, Ross, what's going on with you? Any stories? (Digs her elbow into his hand.) No news, no little anecdotes to share with the folks?
Ross: (on the phone) Yes, hello. I have a question. Umm, I used your pen to draw on my friend's face. (Listens) A beard and a moustache. (Listens and laughs) Thank you. (Rachel turns around and glares at him.) No, she didn't think so. (Listens) I know it's like (turns and sees Rachel staring at him and quickly changes the subject) anyway, umm well make-up didn't cover it and we've tried everything to get it off and nothing's worked. What-what do we do? (Listens) Yeah. (Listens) Uh-huh. (Listens) Yeah. (Listens) Oh! Okay. (Listens) Okay, thank you! (Rachel gets excited at his tone.) (Hangs up the phone) Yeah, it's not coming off.
Monica: Okay, I-Im sorry. You and Joey, your both focusing on this uncomfortable thing, what you need to do is to change the subject. Next time you see him try to get him talking about something else.
Monica: Right. Umm, listen since were-we-re on that subject, umm, I just wanted to tell you that uh, well, I-I was going through a really hard time in London, what with my brother getting married and that guy thinking I was Rosss mother
Monica: All right ah, Ross, this is the extent of my knowledge on the subject. (holds up a notepad) Call Rachel.
Joey: (gesturing at an imaginary painting) Note the painterly lines and subtle impasto on this canvas. Monet painted quickly and usually outdoors as his elusive subject was light itself.