words in movies
JOEY: Yeah, there's just one thing that might be kind've a problem. See, I, uh, had to kiss this guy.
JOEY: I did do it, I'm a professional.
JOEY: See after the scene, Mr. Beatty comes up to me and says 'good actor, bad kisser'. Can you believe that, me not a good kisser, that's like, like Mother Theresa, not a good mother.
PHOEBE: Well, come on, who cares what that guy thinks. What does Warren Beatty know about kissing (Chandler and Monica, give her a look that says 'think about it') Ooh.
JOEY: Yep, this kiss thing is defiantly a problem, Mr. Beatty wants to see it again on Monday. Man, I gotta figure out what I'm doing wrong. Oh, okay, one of you girls come over here and kiss me.
JOEY: You see this, this is a friend.
PHOEBE: Uh-huh, let's go. (they move in to kiss) Oh, wait I have gum. Okay. (they kiss rather passionately) Good, very good, firm but tender. I'd recommend you to a friend.
MONICA: Joey, you know, maybe your just not used to kissing men, maybe you just tensed up a little, maybe that's what you need to work on.
CHANDLER: And I'll be using his dead body as a shield.
(Rachel enters in this hideous pink bride's maid dress, with a huge silver bow on her chest, and a big, huge skirt, kinda like the one's women wore in the 1800s, Monica and Richard both stare in shock)
RACHEL: Look you guys, I have to go, I'm the Maid-of-Honor. And besides you know what I just need to be in a room again with these people and feel good about myself.
PHOEBE: Ooh-oh! Someone's wearing the same clothes they had on last night. Someone get a little action?
CHANDLER: I like this girl, okay, I seriously like this girl, you now how sometimes I tend get a little defended and quipy...
MONICA: (holding up a blanket) Where's Benny? (drops the blanket) There he is! (does it again) Where's Benny, there he is.
MONICA: Hey, you know I got a question for ya. Just a little thing, no pressure.
MONICA: Okay, so, uh, we're in France, we're making the toast. Do you see a little bassinet in the corner?
RICHARD: Like a hound?
MONICA: Not a basset, a bassinet.
JOEY: Aww, Rach, I think you look cute (kisses her on the cheek, then looks at Ross) And you, uh, you, you I could eat with a spoon (goes to kiss him).
CHANDLER: Oh, it's a website, it's the, uh, the Guggenheim (sp?, I'm not an art guy) museum. See, she likes art, and I like funny words.
PHOEBE: You know, what I think is so great that you are totally into this person and yet for all you know she could be like 90 years old, or have two heads, or. It could be a guy.
CHANDLER: Okay, it's not a guy, all right, I know her.
PHOEBE: It could be like a big giant guy.
PHOEBE: We were just wondering if Chandler's girlfriend is a girl.
PHOEBE: Well at least we know she's a woman.
JOEY: Aw, man I'm sorry (starts rubbing Chandler's shoulder). This must be very tough for ya, huh (and starts comfroting him looking for a kiss).
ROSS: Sweetie, it's be gonna okay, all right. It's a wedding, generally people focus on the bride.
MR. WINEBURG: I tell ya a lot things!
RACHEL: Yeah, I love that story. Um, I got a question for you guys. Why do people keep is saying that is good to see me up and about?
JOEY: Angela? Joey Tribiani. Listen, what are ya doing tonight. I know your seeing that guy I was thinking maybe you could bring him.....Hello? Hello? (picks up a statue of an Indian and walks into his room)
CHANDLER: Hey, look, Phoebe I wanted to meet her in person too, okay, but she's married, she has a husband.
PHOEBE: What if the husband person is the wrong guy, and you are the right guy. I mean you don't get chances like this all the time, if you don't meet her now, you're gonna be kicking yourself when your 80, which is hard to do, and that's how you break a hip.
PHOEBE: Oh, yeah! Okay! Great! Go, man, go put on your shoes, and, and march out there and meet her! (Chandler runs and picks up his shoes) Oh, wait, no, no you have to take a shower, 'cause, eww. (Chandler runs to the bathroom, as the computer bing-bongs) No, you know what you have to answer her, answer her first. (Chandler runs to the computer) No, no, you know what make some coffee 'cause its too much. (Chandler walks slowly into the kitchen)
[Scene: at Barry and Mindy's reception, Monica and Richard are sitting at a table, and Monica is trying to throw a piece of candy into his mouth.]
BEST MAN: (standing up) Yo! Can I have your attention, please, Best Man, making a toast here. Thank you. (clears throat, and starts reading his toast) I remember when Barry got home from his first date with Rachel...
BEST MAN: What, (to Barry) you hired the same band I can't use the same speech. (gets a 'da-doom-chesh' from the drummer) Thank you, thank you very much. Anyway, I wish you both a wonderful life together. And Rachel...
BEST MAN: No, no, no now in all seriousness, its not a lot of women would've had the guts to come back here tonight, and even fewer, who would do it with their asses hanging out! (da-doom-chesh)
ROSS: Ross, uh and uh, I'd just like to say that it did take a lot of courage for Rachel to come here tonight. And, uh, for the record she did not run out on Barry because she had syphilis. (da-doom-chesh) (to drummer) What are you doing I'm serious. Uh, the reason she walked out on, on Barry is simply that she didn't love him, which incidentally worked out pretty well for me (looks for the da-doom-chesh, and doesn't get one) Cheers.
RACHEL: (after a pause with everyone staring at her, she goes up to the microphone) Ya, know what Barr, I'm not gonna leave. I probably should, but I'm not, see 'cause I promised myself that I would make it through at least *one* of your weddings (da-doom-chesh). See now, tonight, all I really wanted was to make it though this evening with a little bit of grace and dignity. Well (laughing), I guess we can all agree that's not gonna happen. There's nothing really left to say except....(starts singing) "Her name was Lola. She was a showgirl. With yellow feathers (band joins in), feathers in her hair, and a dress cut down to there. She would..."
RACHEL: (singing) "...marenge, thank you honey, and do the cha-cha. And while she like to be a star, Tony always tended bar. At the, wait, wait, everybody.."
RICHARD: If I have to I'll, I'll do all again , I'll do the 4 o'clock feeding thing, I'll go to the P.T.A. meetings, I'll coach the soccer team.
MONICA: Oh my God, I can't believe what I'm getting ready to say. I wanna have a baby, but I don't wanna have one with someone who doesn't really wanna have one.
CHANDLER: Where is she, Where is she? (grabs Rachel) Oh, hey, I have a question, where is she?
CHANDLER: (noticing a beautiful blond walking in) Ooh, oh, oh, that's her.
PHOEBE: Chandler, you gotta stop staring at the door. It's like a watched pot, you know if you keep looking at it then the door is to, never gonna boil. I think what you have to do is try not to...
[Scene: Chandler and Joey's, Joey is reading a script as Ross enters]
ROSS: All right I've been feeling incredibly guilty about this, because I wanna be a good friend, and dammit I am a good friend. So just, just shut up and close your eyes (kisses Joey).
JOEY: Wow, you are a good friend, 'course the audition was this morning, and I didn't get it. But that was a hell of a kiss. Rachel is a very lucky girl.
Joey: Well, were fashioning a very long poking device.
PHOEBE: But Joey, you're gonna be fine. You don't need that show, it was just a dumb soap opera.
RACHEL: Well, maybe they can find a way to bring you back.
Chandler: Y'know, if I won $5,000 I'd join a gym, y'know build up my upper body and hit Richard from behind with a stick! (Mimics it.)
[Scene: Chandler and Eddie's apartment.Chandler walks in to see Eddie holding a tray of cookies.]
EDDIE: I got a little surprise, look. There's a new fishie. I named him uh, Chandler, you know, after, after you.
EDDIE: No. See now I don't think you're being fair. I mean one night you see me and you get scared, I mean, what about all the other nights when you don't see me, huh? What about last night when you went and got a drink of water and I was nice enough to hide behind the door, what's that about, huh?
MONICA: A mirror?
MONICA: Wow, for a guy who's recently lost his job, you're in an awfully good mood.
JOEY: Anybody want a croan.
Phoebe: No, I mean, I mean, when you're at the fifteenth date, y'know, you're already in a very relationshippy place. Y'know, it's... you're committed.
Chandler: Yes, Joey's made arrangements to have his baby in a movie from the 50's.
JOEY: But this is a two line part, it's like takin' a step backwards. I'm not gonna do this.
ROSS: You, you know I, I don't, have a- have a problem with that.
ROSS: So suck it up man, it's a job, it's money.
JOEY: That's a two line part.
[Scene: Chandler's apartment. Chandler peeks in the door. He doesn't see Eddie so he enters, breathing a sigh of relief. Eddie pops up from behind the bar.]
CHANDLER: Look you have to help me out here. I thought we had a deal. I thought by the time...
MR A: Oh, no, please, I spent most of mid-morning trying to stand up. Now uh, what can I do for you, my dear?
EDDIE: That's a tomato. This one definitely goes in the display.
EDDIE: Ah, just some basic dehydrating of a few fruits and vegetables. MAN ALIVE this thing's fantastic!
Richard: on the rocks with a twist? I remember. (Goes to make her drink.)
JOEY: Hey Gunther, let me get a lemonade to go.
CHANDLER: [looks in the fish bowl to see a fish cracker] Well that's not an, even a real fish. No, that's a goldfish cracker.
Ross: (forages around) Okay, I have nothing in an evening shoe in the burgundy. I can show you something in a silver that may work.
PHOEBE: I don't think it would have sold a million copies but it would have made a nice gift for you.
[Monica goes into her room and slams the door. Rachel does the same. Phoebe, without a door to slam, opens a small chest and slams the lid.]
JOEY: No no, uh, don't thank me for comin' in. Uh, at least let me finish. Uh, we could take the expressway but uh, this time of day you're better off taking the budge. You were goin' for the word bridge there weren't ya. I'll have a good day. [gets up and leaves]
JOEY: [movers removing a glass parrot] Oh, not my parrot.
ROSS: Dollars? You spent $1200 dollars on a plastic bird?
MRS. GELLER: We just know she's got the IQ of a napkin.
CHANDLER: Yes, yes I actually saw him leave. I mean that guy is standing in the window holding a human head. He is STANDING IN THE WINDOW HOLDING A HUMAN HEAD!
EDDIE: Yeah, you know, put chips in it, we'll make like a chip chick.
EDDIE: We took a road trip to Las Vegas man.
Monica: Yeah, I think we're ready for our first course. (Steve sits, Monica brings over a tray) OK, um, these are rot-shrimp ravioli, and celantro pondou sauce... (Steve starts to eat them one by one, quickly)... with just a touch of mints... and... (he finishes)... ginger.
JOEY: Well, I had a whole ceramic zoo thing goin' over there but now, without the other ones, it just looks tacky.
CHANDLER: Ah that's a cantelope.
CHANDLER: I'm gonna hold him a different way. Look I don't understand, if you hated it so much, why did you buy it in the first place?
RICHARD: Uh, you guys see me as a dad?
JOEY: He paid a lot of money for it.
PHOEBE: Why are you guys so upset? It's Old Yeller, it's a happy movie.
PHOEBE: C'mon, happy family gets a dog, frontier fun.
JOEY: Not a dad.
CHANDLER: You're not a dad. You're not a dad.
RICHARD: That's fine. Well, your other dad and I are gonna go have a romantic evening and I guess I'll just see you kids around.
RICHARD: Yeah, just, I feel like I'm about a hundred. I thought I was just one of the guys.
MONICA: Come here. I'll make you feel like one of the guys. You know for a really cool guy, you suck at foosball.
SUSAN: Ok, this could go on for a while.
CAROL: We've got a cab waiting downstairs.
Rachel: Whoa!! Whoa, whoa, wait a minute. What time did your little friend leave? (Ross cant answer that) Oh my God. She was there? She was still there? She was in there, when I was in there?!
PHOEBE: [pauses the tape] Ok, Ben, this is the part where Ernie buries Bert in the sand and can't find him. Now, I've looked ahead on the tape and he does find him again. But, ok, before that happens, there's some pretty rough goin' for a while but I think we can handle it. And, there's just the alphabet but we know that ends well so. Ok, here we go. [starts the tape again]
ERNIE: Bert, Bert. Bert. Hey, what happened to my friend Bert? He was here just a moment ago. Oh no, my old friend Bert is lost.
MONICA: 'Cause I was going by it the other day and I saw that there was a stock with my initials, MEG, on it and, well, sometimes I have to watch for two or three hours before it comes up again but when it does, it's pretty exciting.
RACHEL: Ok honey, you really need a job.
PHOEBE: No, 'cause you just said dad and everywhere I go today I keep getting signs telling me to go see my father. Like when I was walking over here and I passed a buffet...which is my father's last name.
(Ursula points out a vacant table, so the twins walk over, side by side, to sit down. Departing customers walk right past the pair. Sitting at the back, a hungry gentleman looks most annoyed as Ursula sets his meal down in front of her. The girls sit.)
[Scene: Monica and Chandler's Apartment, everyone's there; Phoebe recites the last verse of a poem to Joey. This poem is known as "The Night Before Christmas" by Clement Clarke Moore, but it seems that it's rather "Account of a visit from St. Nicholas" by Henry Livingston.]
ROSS: Because it's a special hat. [Chandler looks at Ross funny] See he bought it 'cause he was feeling really down one day so he got the hat to cheer himself up, ya know. Now Chandler...
BIG BULLY: You got a problem with that?
MONICA: I don't want a beer.
JOEY: Monica, relax, go get a beer.
CHANDLER: Ohhh [turns as if to hug someone] Oh no, wait a minute, I have no one.
Monica: I mean, why should I let them meet him? I mean, I bring a guy home, and within five minutes they're all over him. I mean, they're like- coyotes, picking off the weak members of the herd.
RACHEL: I just can't believe this is happening. I mean, when I was little, everybody's parents were getting divorced. I just figured as a grownup I wouldn't have to worry about this.
JOEY: See, didn't I tell ya these pillows would be a good idea?
Another Scientist: And I need to flip the light switch on and off 17 times before I leave a room or my family will die.
JOEY: Get him a bone, get a bone. You gotta bone?
PHOEBE: Yeah, but he did have to have a bunch of stitches and he said that only once in a blue moon does a dog's ear grow back so...still hoping.
RACHEL: She'll be a much better friend when the market closes.
Photographer: Now why dont we get a shot of just Monica and the bloody soldier.
JOEY: [dials the phone] It's a woman.
[She starts the cab and pulls forward. We hear a squish and a dog yelp.]
Monica: Yknow what? I am really tired of your bellyaching! Okay, I-I worked really hard at making this a nice place for us to live!
CHANDLER: Alright, hang on a second there Custer.
MONICA: [Opens the door] I need to borrow a hundred bucks.
MONICA: Hi, welcome home. [pulls Rachel inside] I need to borrow a hundred bucks.
[Scene: Phoebe's dad's house. Phoebe is returning the dog who is bandaged up and has a plastic cone around it's neck.]
Chandler: Yeah, in fact my father was a den-mother.
PHOEBE: It was an accident, and, and the woman who did this would never ever hurt a dog on purpose. She's a vegetarian.
PHOEBE: Just from a, from a long time ago. Is he here?
FRANK: Yeah. What? [a young guy comes around the corner]
FRANK: Cool, alright. So maybe, ya know, I could give you a call sometime, we could talk or somethin'.
Rachel: We were on a break!
PHOEBE: I'm not gonna. But you know what's cool though? Ok, if you had a friend named Pete, then I could say, 'Oh yeah, I know Pete, he's friends with my brother.'
ROSS: Well we did it, we're here. We are standing our ground. How long does a cup of coffee take?
[They rush to put the cream and sugar in their cups and gulp down a few drinks]
ROSS: Woah, ho-ho, whad'ya got there, a weapon?
CHANDLER: Question. If I don't care about my watch, can I use it as a weapon?
LITTLE BULLY: Look, here's what we'll do. We'll put all keys and watches in the hat over there. Alright. [they all put their keys and watches in the hat and put it on a mail box] Alright, c'mon man, let's do this.
Gunther: (In his head) Say Rachel, I was wondering if youd like to go to a movie with me sometime. As my lover! Nnnsch, to out there. Maybe youd just like to ah, get something to eat with me sometime? As my lover.
LITTLE BULLY: Actually, you know, uh, I gotta show this apartment tomorrow and uh, you know, this no faces thing might not be a bad idea.
ROSS: Well because I have to work on Monday, I have a big presentation.
LITTLE BULLY: Us, what about you guys? Man you really, bing, gave it to old Mr. Clean back there. He was a big guy.
(Joey turns around and sees his face on a poster in the subway. The poster says: What Mario isn't telling you...V.D., you never know who might have it. A variety of scenes are shown with the poster displayed all over New York City.)
[Scene: A hall on the floor where Chandler works. Chandler and Phoebe enters, and overhears some employees's conversation. One of them is doing Chandler.]
CHANDLER: Ya know, my cousin went to hell on a football scholarship.
[Scene: The 50's theme cafe. Monica is working the grill, the rest are at a table.]
RACHEL: My parents happened. All they had to do was sit in the same stadium, smile proudly, and not talk about the divorce. But nooo, they got into a huge fight in the middle of the commencement address. Bishop Tutu actually had to stop and shush them. But you know what, you know what the good news is? I get to serve coffee for the next 8 hours.
Chandler: (starts to recite a rehearsed speech) Monica is a self-sufficient, together lady. (Pause.) Being with her has been like being on a vacation. And what may be perceived as high maintenance is merely attention to detail and(He falters and Monica prompts him.)generosity of spirit.
MR. GREENE: Alright, that sounds like a two person job. [they walk into Rachel's bedroom]