words in movies
[Scene: Monica and Chandler's, Phoebe, Monica, and Rachel are sitting around the kitchen table as Ross enters.]
Rachel: Wait a minute! (To Monica) You let Ross drive the Porsche and when I ask you, you say youre the only one whos allowed to drive it.
Monica: Yeah, well hes my brother! And plus he drives so slow he could never hurt it.
Ross: Youre fast and irresponsible. That adds up to a bad driver.
(A woman walks by and smiles at Rosss hair.)
(He goes to the bathroom and after he leaves Rachel goes through his coat and grabs the keys along with a $20 bill. The woman from before watches her do this.)
[Scene: Monica and Chandler's, Monica and Phoebe are counting the invitations as Chandler exits from the bathroom.]
Chandler: Well he doesnt have to know! Its not like we run in the same circles. I hang out with you guys, and he stars in a drag show in Vegas.
Monica: So what! As long as hes not wearing a white dress and a veil I dont care.
Phoebe: Okay, I think I need to do some shopping. (Gets up and leaves.)
[Scene: A Street, Rachel is throwing her coat into the Porsche and getting in.]
{Transcribers Note: She puts the key into the ignition, which is on the left side of the steering wheel. Does anyone know why that is? Its a tradition left over from Porsches racing history. The worlds greatest endurance race is the 24 Hours of LeMans. Which is in France and runs for 24 hours straight from noon on Saturday through the dark of night and finishes at noon on Sunday. In the 60s LeMans had a unique start where the drivers would actually start the race outside of the car and across the track. At the start of the race, the drivers would run across the track, get in the car, buckle up, start the car, and drive off. Porsche wanted to reduce the amount of time that took. Since all cars to that point had the ignition switches on the right side of the steering wheel, that required the drivers to use their right hand to grab the seat-belts, put the car in gear and start it. The drivers left hand did nothing. Porsche in order to save a few seconds in a 24-hour race; moved the ignition switches to the left side of the steering wheel so that the driver could start the car with his left hand while grabbing the seat-belts with his right hand. Thats why every Porsche car built since then has the ignition on the left side of the steering wheel.}
Ross: No ah-ah-ah! Do not start this car! (She starts the car.) Okay! Okay! I will give you twenty bucks if you get out of this car right now! (He looks for the twenty Rachel stole and doesnt find it.)
[Scene: Central Perk, Joey and Phoebe are on the couch as a man enters.]
Phoebe: What? (He leans in to kiss her.) Oh. (They kiss and Phoebe pauses.) Ooh. (Pause) Whoa! That one kept going. (Exits.)
Joey: So! You and Phoebe huh? How long have you been going out?
Joey: Wow! Maybe uh, maybe you and I ought to get to know each other a little better.
[Scene: Monica and Chandler's, Monica is entering from the bedroom carrying two bags of luggage.]
Monica: Were going to Las Vegas to see your dad. Its time you two talked, and I want to get to know my father-in-law.
Chandler: Yknow we already went over this and I won!
Monica: No you didnt. Oh and honey just so you know, now that youre marrying me, you dont get to win anymore.
Chandler: No-no all kids are embarrassed by their parents, youd have to come up with a whole new word for what I went through. When I was in High School, he used to come to all of my swim meets dressed as a different Hollywood starlet. Yknow its hard enough to be fourteen. Youre skinny. Youre wearing speedoesThat your mom promised that you would grow into! And you look up into the stands and theres your dad cheering you on dressed as Carmen Miranda. We was wearing a headdress with real fruit that he will later hand out to your friends as a healthy snack!
Monica: Hey, the point is that he was at everyone of your swim meets and he was there cheering you on! Okay? Thats a, thats a pretty great dad.
Joey: Listen, you know how uh, when youre wearing pants and you lean forward I check out your underwear?
Phoebe: No, its not! We were just goofing around and I dared him to try them on.
Phoebe: I think so too. And that little flap? Great for holding my lipstick.
Phoebe: And! Yknow what Jake says? That womens underwear is actually more comfortable. And he loves the way the silk feels against his skin.
[Scene: The Porsche, Rachel is driving along a highway and Ross has finally moved to the death seat and is terrified.]
[Scene: Joey and Rachel's, Joey is walking from the bathroom to his bedroom and walks past a pile of Rachels laundry, which just happens to include a selection of panties. He stops, goes back to the basket, looks for Rachel, picks up a lavender thong, and heads for his bedroom. However, he decides he doesnt like his selection and goes back this time picking up a red low-cut silk brief and heads for his room, flexing along the way to prove his masculinity.]
[Scene: Las Vegas, we have the typical glamour shots of Vegas and the strip before we arrive at 4 Queens bar, where Chandler and Monica are sitting at a table waiting for the show to start.
A Waiter in Drag: (to Chandler and Monica) Has someone taken your order yet?
Chandler: No! No! I dont want him to know were yet! Im not sure Im ready for that. And besides hes not gonna be too happy to see me either.
Announcer: Ladies and gentlemen please welcome the incomparable Helena Handbasket!
(Theres applause as Helena turns around and its Kathleen Turner.)
Chandler: And theres daddy!
[Scene: The Porsche, they have pulled over and are awaiting the cop to come talk to them.]
Rachel: Oh come on Ross!! (She tries to switch places with him and goes under his leg.)
Rachel: Oh yes, absolutely! Yknow, its weird uh, but I had a dream last night where I was stopped by a policeman. And then he uh well I probably shouldnt tell you the rest.
Policeman: And you promise youll get this taken care of right away?
Policeman: And in the meantime you better let him drive. Does he have a license?
Helena: I feel pretty. Oh so pretty. I feel pretty and witty and (She holds the mike out to the audience.)
Helena: (singing) For Im loved by a pretty wonderful boy! (Applause.) Hello! And welcome to the show. I see some of our regulars in the audience. And a couple of irregulars. (He starts going into the audience.)
Monica: Relax! Youll be fine. (Chandler exhales and turns off the table light.) Oh much better. Youre invisible now.
Helena: (standing at a table and asking the guy sitting there) Where are you from?
(He gets up to walk out, but Helena spots and stops him.)
Joey: Check it out. (He turns around, pulls down his pants, and shows Phoebe that hes got panties on.) How much of a man am I?!
Phoebe: Wow! Nice! Manly and also kind of a slut.
Joey: Yeah! And you have so many more choices than you do with mens underwear!
Joey: Bikini, French cut, thong! And-and the fabrics! Youve got cotton, silk, lace! And yknow what Ive always wondered about?
Joey: Pantyhose! Yknow? They way they start at your toe and go all the way up to here (He mimed that and stops when he realized he went to far.) I should go take these off shouldnt I?
(Joey agrees and heads to take them off.)
Helena: (To Monica) And who is your friend?
Chandler: Actually Monica and I are engaged.
Helena: Before we go on with the show, I just want to say to the bride and groom how lucky they are to have found each other. In every life, a little rain must fall. Fortunately, in my life (Four guys wearing rubber boots, shorts, hats, and nothing else carrying umbrellas run onto the stage.) (Singing) Its raining men!
[Scene: The Porsche, cars are whizzing by and honking their horns on both sides very quickly as Ross creeps along.]
Rachel: Well maybe he saw your hand slip briefly from the ten and two oclock position.
Joey: Yeah! Okay! (He notices a beautiful woman sitting behind the couch and goes to talk to her.) Hey! Hi!
Joey: Oh, let me get this. (He takes out his wallet, but the panties come with it. The woman and waitress are shocked.) (Realizing) (To the woman) These are for you.
MONICA: And some of us really have to pee.
Rachel: Country club newsletter. My mother sends me the engagement notices for 'inspiration.' Oh my God! Oh my God, it's Barry and Mindy!
Joey: Well, I'm doing this telethon thing on TV and my agent got me a job as co-host!
MR. GELLER: [going downstairs] Rachel, ready or not, here comes your knight in shining. . . oh no. [Chip has shown up and the four are leaving]
[Scene: Chandler and Eddie's apartment.Chandler walks in to see Eddie holding a tray of cookies.]
Ross: Alright, ok, let's do it. (Ross sits down at the desk and they all gather around him) Uhm, I know we start by discussing the shortcomings of carbon dating... uhm, and then, then I move on to what is clearly the defining moment of the Mesozoic era, the breakup of Pangea, hello! (Rachel and Joey look confused) And then, there's the... eh... there's the overview of the Triassic.
[Scene: Monica and Rachel's apartment.]
[Scene: Chandler's bedroom. Chandler is sleeping and Eddie is there watching him.]
[Eddie leaves the room and Chandler mouths "Thank you" to himself]
CHANDLER: Well we could just stay in and cook for ourselves. [both laugh hysterically]
[Scene: Central Perk. Monica and Rachel are there, Joey enters wearing an old looking hat.]
Mike: that is so wrong and on top of that his a glue sniffer.
JOEY: So, you're not mad at me for getting fired and everything?
Joey: (Snatches the phone) Hey Ma. Listen, I made the appointment with Dr. Bazida, and... Excuse me? (To his dad) Did you know this isn't Ma?
[Scene: Central Perk. Monica, Phoebe, and Rachel are there. Rachel has just finished reading the book.]
[Scene: Joey's apartment. Joey and Ross enter.]
Ross: Filming Rachel is not something I planned. Okay look, heres what happened, and Joey you-you can back me up on this. All right, about-about a month and a half ago I came to you with a problem? Umm, a personal thing.
Phoebe: Umm, Rachel and I were just discussing it and she had some very interesting insights.
Rachel: Well I was gonna tell him that Im-Im gonna have the baby and he can be as involved as he wants.
Chandler: Well, I was trying to prove that I was right. Yknow? And it turns out I was wrong. And now its lodged in my throat. (Mimics a cat trying to cough up a hairball.) (He does it again.)
[Scene: Monica and Rachel's apartment. Chandler is sleeping on the couch. Monica walks by and starts watching him.]
[Scene: The Hallway, Chandler and Rachel are on their knees with forks trying to salvage what they can of the cheesecake off of the floor.]
CHANDLER: You, move out. Take your fruit, your stupid small fruit and GET OUT!
MONICA: No, honey, in a wonderful way. You know what you want now. Most guys don't even have a clue. You are ready to take risks, you are ready to be vulnerable, and intimate with someone.
PHOEBE: I know, I know, and I was gonna get it but then he came in with this needle and uh, di-, did you know they do this with needles?
[Scene: Monica and Rachel's apartment. Monica, Rachel, and Phoebe are sitting around the coffee table.]
MONICA: And his puppet too.
RACHEL: Or ya know, he's rubber and you're glue.
RACH: Oh, look at me, look at me. Oh, I'm on a date with a really great guy, all I can think about is Ross and his cat and his... Julie. I just want to get over him. gosh, why can't I do that?
JOEY: No no, seriously, Chandler and I were just talkin about this. He is so much cooler than our dads. [Chandler starts kicking him below the table] I mean, you know, our dad's are ok, ya know, but Richard is just- ow, ow. What are you kickin me for? Huh? I'm tryin to talk here.
ROSS: Yeah. And you should hold out for something bigger. I can't tell you how much respect I have for you not going to that stupid cab driver audition.
[Monica goes into her room and slams the door. Rachel does the same. Phoebe, without a door to slam, opens a small chest and slams the lid.]
Rachel: Your fly is open, Geller. (he checks it, and zips up)
ESTELLE: Joey, I'm gonna tell you the same thing I told Al Minser and his pyramid of dogs. Take any job you can get and don't make on the floor.
JOEY: No no, uh, don't thank me for comin' in. Uh, at least let me finish. Uh, we could take the expressway but uh, this time of day you're better off taking the budge. You were goin' for the word bridge there weren't ya. I'll have a good day. [gets up and leaves]
[Scene: Central Perk. Monica and Phoebe are sitting ignoring each other. Rachel walks up with two pieces of cake.]
JOEY: Hi, here's the deal. We lost a carseat on a bus today. It's white plastic, with a handle, and it fits onto a stroller. Oh, and there was a baby in it. He wants to talk to you again.
[Scene: Hallway outside Chandler and Joey's apartment. Eddie walks up.]
EDDIE: Why doesn't my key work and what's all my stuff doin' downstairs?
JOEY: Na, na I'm ok. Oh and uh, just so you know, I'm not movin' back in 'cause I have to. Well, I mean, I do have to. It's just that that place wasn't really, I mean, this is...
EDDIE: No he, he moved out and I moved in.
Chandler: I'm telling ya! It's gonna happen. Next year it's gonna be you, me and the little Hemingway Bing. (pause) What, he's my favourite author!
CHANDLER: Welcome home man. [they hug and jump around]
CHANDLER: Uh-Oh. It's Isaac Newton, and he's pissed.
[Time lapse, they have set up a little assembly line for diaper changes. Phoebe wipes, Chandler adds the powder, begrudgingly, and Monica puts the diaper on.]
[Scene: Monica and Rachel's apartment. Phoebe enters to see Monica, Richard, Ross, and Rachel tearfully watching TV.]
RICHARD: That's fine. Well, your other dad and I are gonna go have a romantic evening and I guess I'll just see you kids around.
Ross: Uh, okay, yeah, we could do that, but before we head off to the murder capital of the North-East, I was, uh, kinda wanting to run something by you. Y'know how we were, uh, y'know, talking before about, uh, relationships and stuff? (Uncorks the wine) Well-
MONICA: [her and Richard return to her place] So are you ok?
RACHEL: Ok, we can do this now, can't we Ben? Yes we can, yes we can. [finishes the diaper] There. I did it. I did it. Look at that, oh, stays on and everything. Hi.
ROSS: Great, great, and I miss that too, I miss everything.
ESTELLE: Look honey, people get fired left and right in this business. I already got you an audition for Another World.
CAROL and SUSAN: Hello.
[Scene: Monica and Rachel's apartment. Phoebe is watching Bert and Ernie with Ben.]
[Scene: Monica and Rachel's, Chandler is neglecting the game of Scrabble, for he's busily drawing on his own childhood in an attempt to help Ross. Marcel chitters about.]
PHOEBE: No, 'cause you just said dad and everywhere I go today I keep getting signs telling me to go see my father. Like when I was walking over here and I passed a buffet...which is my father's last name.
Kori: And you are...
[as they're walking off, little bully grabs Chandlers hat from behind and puts it on himself]
[Scene: Monica and Rachel's apartment. Joey and Rachel are sitting there and Monica walks in.]
PHOEBE: And a crusty old man said I'll do what I can and the rest of the rats played moroccas. That's it, thanks, good night.
Chandler: Okay, heres the situation. The keys to the cuffs are on the back of the door. Could you be a doll and grab them and scoot on over and unlock me? And on a totally different subject, that is a lovely pantsuit.
ROSS and CHANDLER: [both enter looking down] Hhhiiii.
PHOEBE: Alright, so, what, he's not a famous tree surgeon? And then, I guess, OK, he doesn't live in a hut in Burma where there's no phones?
CHANDLER: Na, forget it, it's probably stripped and sold for parts by now.
RACHEL: Hi. [Ross turns to Rachel and they hug]
JOEY: Hey, woah, let's go down there and get your hat back.
JOEY: Well, see when you're acting you need to think about stuff like that. My character, Joseph the processor guy, has two little girls, Ashley and Brittany. Ashley copies everything Brittany does.
[Scene: Phoebe's dad's house. Phoebe pulls up in the cab with Rachel and Joey in the back.]
JOEY: Well why don't you just reach out and take his trampoline.
RACHEL: Ok, here, I know what we can do. [grabs Joey's sadwich and throws it out the window]
[Scene: Central Perk. Chandler and Ross are sitting at the couch.]
(Ross hands Rachel back the newspaper, and she starts beating him with it again.)
LITTLE BULLY: And look where they're sitting.
CHANDLER: Alright, I'll tell you what, you call the couch and then, and then we'll call the couch, and we'll see who it comes to.
ROSS: Thank you Gunther. We didn't want to have to go and do that.
RACHEL: I know. And Mom, I realize you and Daddy were upset when I didn't marry Barry and get the big house in the suburbs with all the security and everything, but this is just so much better for me, you know?
[Scene: Monica and Rachel's apartment. Joey is eating breakfast, Rachel has just gotten up, and Monica is on the phone.]
MONICA: 'Cause I was going by it the other day and I saw that there was a stock with my initials, MEG, on it and, well, sometimes I have to watch for two or three hours before it comes up again but when it does, it's pretty exciting.
MONICA: Well, my financially challenged friends, I split my money and I bought some shares of CHP and ZXY.
PHOEBE: Ok, I talked to the vet, people are so nice upstate. Anyway, he said that the little fella's gonna be ok and I can pick him up tomorrow.
Chandler: Let me tell you why you need to pick me. (Goes to sit on the couch facing backwards to the kitchen. Rachel gets a chair and sits opposite him) See, when I was a kid, I was always left out of everything, you know, and it really made me feel... insecure. You know, I was always picked last in gym. Even behind that big fat exchange student who didn't even know the rules to baseball. I mean, this guy would strike out and then run to third. Anyway, If I'm the only one left out of this wedding, I just know that all those feelings are gonna come rushing back.
PHOEBE: Yeah, but he did have to have a bunch of stitches and he said that only once in a blue moon does a dog's ear grow back so...still hoping.
[Scene: Chandler and Joey's apartment. Ross is sitting at the bar, Chandler serves up two mugs of hot water.]
RACHEL: Ok, so Phoebe, now are you gonna call your dad and let him know that his dog is ok?
PHOEBE: Ok. Listen, just don't say anything about me, ok. [goes over and grabs the phone that's sitting by Monica]
Photographer: Now why dont we get a shot of just Monica and the bloody soldier.
CHANDLER:Well the package says you have to uh, constantly keep it moving. Stir and drink, stir and drink, never let it settle.
[Scene: Outside Monica and Rachel's apartment. Rachel is returning.]
[Scene: The fancy restaurant, Angela has her hand in Bob's shirt, and Monica is very uncomfortable.]
[Scene: Phoebe's dad's house. Phoebe is returning the dog who is bandaged up and has a plastic cone around it's neck.]
[Scene: Monica and Rachel's erm, Chandler and Joey's, later that same day. Joey and Chandler are eating pizza, and Phoebe is trying to knit something.]
FRANK: Yeah hey, you know if you want I can take you around back and show you where he hit his head on the rain gutter.
[Scene: Central Perk. Chandler and Ross are sitting on the couch nervously.]
[They rush to put the cream and sugar in their cups and gulp down a few drinks]
Ross: And that should conclusively prove that I had the idea for Jurassic Park first! Now lets take a look at (Phoebe rushes in.)
ROSS: Yes, and that's why we're here.
[they all jump in the street and prepare to fight]
LITTLE BULLY: Actually, you know, uh, I gotta show this apartment tomorrow and uh, you know, this no faces thing might not be a bad idea.
Rachel: C'mon Daddy, listen to me! It's like, it's like, all of my life, everyone has always told me, 'You're a shoe! You're a shoe, you're a shoe, you're a shoe!'. And today I just stopped and I said, 'What if I don't wanna be a shoe? What if I wanna be a- a purse, y'know? Or a- or a hat! No, I'm not saying I want you to buy me a hat, I'm saying I am a ha- It's a metaphor, Daddy!
CHANDLER: Huh. [reaches over and grabs the hat and bolts for the door but slips and falls behind the couch]